A Shadow Over Ever – an excerpt

0

Last night was an amazing night for me. I have wanted to see the release of my novel A Shadow Over Ever for a long, long time and it’s amazing to finally have it out.Here is a sample from deeper in the book, when things are established and the true danger is becoming apparent.

This scene is my little homage to DAWN OF THE DEAD and sets two of the characters, brothers Terrence and Cloot against a mall full of the living dead. The world is changing, you see, due to a war between Heaven and the first children of Eden and the war is taking its toll on all of existence.

(this is from an earlier draft of the book so don’t mind any grammar bumps, they’ve been fixed!)

    Fifteen minutes and about a hundred pounds of weaponry and ammo later the three of them, Terrence, Cloot, and Warren a.k.a. Flyboy, re-enter the fray. They are all three armed with as much as they can carry, which for Warren is the small squirrel rifle Cloot had been carrying, but are ready for a war, though Warren looks rather queasy under the bright mall lights. Before them await the dead, the smell of their rot filling the hallway, suffocating their minds. They must have heard the three inside the store arguing because as soon as they left Kill World they found themselves all but surround already by them. And as the three of them prepare for combat the dead approach slowly, tightening their circle and readying for an attack. The three men level their weapons. Beneath the sound of the shuffling they can hear the screams coming from the underwear store. The dead though, they make no sound. The only sound they make is the sound of their movement, which sounds like paper being rubbed together, and it is a chilling sound. And slowly do they approach, their limbs stiff, bodies frail, one two falling apart as they approach. And on seeing them Warren lets loose a pathetic whimper and retches onto himself, washing his overalls in orange, dropping the gun, and falling limply against the wall. Terrence and Cloot turn to him, eyes wide, pulled from their own fear by his falling, and suddenly they realize that it’s too late to do anything else but fight. And on come the dead, their arms reaching out, their bodies moving slowly, so slowly, their jaws opening wide in soundless moan. And behind them come the screams of the trapped people again. And within Terrence and Cloot lay trapped their screams.

  “Pick up that goddamn gun Flyboy, get it, get it goddammit…”

  “I…no, no…I can’t…”

  “You can and you will goddammit. Too late to run chicken now. You got no choice. None of us got any other choice. Fight or die, that’s the choice we gots. ‘Cause them fuckers there don’t care ‘bout you but to kill you. You wanna die motherfucker? If you do wanna die then we’ll do it for ‘em and save you the pain and get you outta our goddamn hair. ‘Cause if you ain’t gonna fight yer a liability to us and we ain’t gonna have that.”

  Terrence raises his rifle and aims it at Warren’s head; taking dead aim on his quivering face. Once, a few days ago, he would barely have done this as a joke but now, after the Calling Station and the baby, there is no turning back. Cloot looks away, uncertain what to do anymore, looking instead to the dead coming closer to them as he raises his own handgun.

  “No, don’t look away brother. You need to see this. This is war. This is…this is war…and in war there ain’t no thing as prisoners…close yer eyes Warren, just close yer eyes…”

Buy A Shadow Over Ever here.

Read more!

A Note To Friends And A Press Release – Hooray?

0

Eighteen years ago I began a journey.  It started with a short, weird little story about an angry man with a pumpkin on his head and it became the seed for what would eventually become my first and perhaps only novel.  This novel has been with me for a long time.  From that short story it grew to a second, then a third, then a final story.  This novel was never intended to be as such, but I fell in love with the cantankerous old man in it, and I fell in love with the world where he lived, bleak as it can be at times.  A SHADOW OVER EVER truly is one of the things I am very proud of because it took a long time to get it out, to get it to the world, but it was worth it.

On Friday, August 10th I am celebrating the release of my novel by having a release party with my dear friend Charles Shaver, who will also be releasing books that night.  This is my way to celebrate not just this book, but all of the books, and the long journey it took to get them out.  I will have my art and books on display and for sale but more than that I will have stories and art dating back to when I was still just a kid in the ’80s and ‘90s so we can see the weird little path that this and all my stories took.

This night isn’t about me, about my book, but about you, all of you.  Because without the friendship and encouragement of all of you there would be no art, no stories, and certainly no books.

There will be snacks, and music, and lots of awesome on hand on August 10th from 6 – 9pm right downtown in Flint at 625 S. Saginaw St., and I really hope you can make it.

https://www.facebook.com/events/233371616781885/

Thanks,

Chris R.

To order A SHADOW OVER EVER

Book – http://www.amazon.com/A-Shadow-Over-Ever-ebook/dp/B008QQ60Z4/ref=sr_1_2?ie=UTF8&qid=1343655762&sr=8-2&keywords=a+shadow+over+ever

Kindle - https://www.createspace.com/3942067

On Friday, August 10th, Flint author Chris Ringler will release his first novel, A SHADOW OVER EVER.  This novel is the story of the end of the world and the angry man that must risk everything he stands for to try to stop it from happening.  The living dead, old gods, the first Children of Eden, and a healthy helping of hillbillies are all part of this dark epic.  This is Chris Ringler’s seventh book and first novel and will be released during

On Friday, August 10th join author and artist Chris Ringler for the release of his newest book, A SHADOW OVER EVER.  This night will see the release of night just Mr. Ringler’s book but the release of local author and filmmaker Charles Shaver’s newest book as well.  At their event – A Declaration of Co-Dependence – they will have their newest offerings on hand as well as their past releases and a collection of their art they shall have displayed for this event.  This is a free event open to the public during the Downtown Flint Art Walk and will be held at 625 S. Saginaw St., Flint, MI from 6 – 9pm.

Chris Ringler is the author of seven books that range from fairy tales for all ages to dark fiction for only the strong of heart. Chris has been published in BARE BONE and CTHULHU SEX MAGAZINE, received Honorable Mention in THE YEAR’S BEST FANTASY AND HORROR twice, was voted Best in Blood on HORRORADDICTS.COM, and has been working on his writing and art.

Chris is a writer, artist, weirdo, and creator of the Flint Horror Convention.

A SHADOW OVER EVER

https://www.createspace.com/3942067

A Declaration of Co-Dependence

Friday, August 10th

6 – 9pm

625 S. Saginaw St., Flint, MI, 48502

Free.

For more info please contact Chris Ringler

grimringler@gmail.com

Tips Off The Top

0

As far as I have had my blogs, and we’re talking a lot of time now, a lot of years, since nearly 2000 so that’s a lot of years and a lot of rambling and as much as I may like to think I have nothing but pearls of wisdom and deep thoughts to offer the fact really is that well, a lot of what I write is rambling. Especially in the early days. But then, there was a catharsis in it all. Blogs/journals were a place to exorcise yourself and it felt good if you were careful and not too revelatory. I can’t say I learned a lot from it but it felt good in the early days to know that some of what I was saying was reaching someone and was heard, because that matters. In an era where we are all struggling to be heard but rarely listen the blog has changed. It seems that it is  more about Me and less about Us. It’s not about trying to connect but trying to differentiate as so many of us push to get noticed, to get seen, and to get famous.

Fame.

The thing about fame is that it is a kiss without emotion. It feels good when you’re doing it but when it’s done, when it’s gone, it meant little and lead to nothing.

Fame.

What I offer you, friend is not a path to fame, it is not a path to riches, but it is a path towards finding that part of yourself that we sometimes neglect and I offer that part water and light and hope.

Traditional publishing is dead.

Long live traditional publishing!

I come to you as a writer, an author, but not one of any great name or legacy but the thing is, that’s ok. I didn’t get into writing to become a legend, I got into it to amuse myself, to exercise my mind, and to just tell stories. And that is what matters to me, the stories. Sure, I want to sell some books, I want to make some money because this is Art but this is business too and you can’t forget that. You can’t. When you first start writing you have to be willing to ‘give it away’, as much as you can do because these are stories, nothing more BUT nothing less. A story alone may not have power but stories together gather a lot of power and a lot of strength. So you can give away a short story or poem here and there just so you can give people a chance to get to know you. Get to know your work.

Consider writing a job, even if it isn’t.

Sometimes you have to put in that training time to prove yourself, and to some people, you’ll never get hired but that doesn’t mean that you stop working at it, that you stop writing, it just means that you find a different employer.

Publishing has changed. It’s not hard to see it but that doesn’t make it any less shocking and worrisome. There are just not those smaller presses anymore that will put out the lesser and unknown authors. It’s too expensive to print, promote, and to release and ship these things and when the market crashed in recent years it was a way to clean house and that house cleaning meant a lot of smaller publishers died and others went wholly digital, and the rest, the rest focused on commodities. And there’s the rub – these stories, these books are commodities. They are ‘goods’. And as such you have to accept that some people will value your work more than others. It doesn’t mean that your work is better  than anyone from Joe Writer that writes fan fiction for fun or any worse than Steinbeck, Hemingway, or King. It just means that the market bears what it bears and right now, in mid-2012 classy smut is in. Just as vampires were in, just as zombies were in, just as bios were in and on and on. If you have the right story at the right time you can make some good money (with a lot of work and a lucky break) but that doesn’t mean that your story is necessarily better than someone with the right story at the wrong time.

That’s the thing too, being a business, if you are going to pursue it seriously then you have to make the decision of why you write – for profit and fame or for fun and to tell stories? Either path is valid, believe me, but I offer that it’s better to do something you love and suffer than to suffer for something you’re doing for money because unless that money is coming in it’s going to be a waste of time.

Slowly I am inching towards something and that something is this -

If you love to write…write.

Write.

WRITE!

And write your ass off. Write as much as you can and stretch yourself. Write blogs, reviews, stories, poems, and keep it varied. Why? Because the more you grow and challenge yourself and your writing the better at it you become. Fall in love with writing. That’s the key.

Make your own schedule.

Scheduling is a big thing for writers and it makes sense because the further you get from it the more of the threads you lose. It can still be a good story but you’ll lose your passion for it and that’s dangerous. It’s easy to get distracted from writing and you need to learn the discipline it takes to see projects through. Everyone can write a story or poem, not everyone can finish those things and see them through to completion.

Learn.

You have to be up for learning and the biggest thing you can learn is to edit. It will ALWAYS be helpful to get the opinions of others but the first opinion you need and in many cases the most important is your own because YOU need to feel that this is the story you meant to write, that you wanted to tell, and that it’s told how you meant to tell it.

For me I write, I let it sit, then I go back to it and go through it and see what I think and change and fix from there. My short fiction I am pretty picky about since I prefer to decide how that plays out but the novel, that thing needed other eyes on it. Had to have outside editing because it was so big that if I was missing some things I had to find them and fix them and make them work.

Publish!

Now, this is where you are getting MY advice and most writers may disagree with me but to hell with them. I am telling you to publish. Now, this means a lot of things to a lot of people but for me it means this – get your work out there.

It’s great to publish a piece here and a piece there and it’s something to work on because you need to go through that and heck, maybe you break through with something and you can get started on things in a different way.  But for me publishing has kept me going. I don’t know that I’d suggest doing it how I have done it but there’s something to be learned.

After you’ve been writing for a bit and have a body of work, and I think this works better with stories, then you need to start thinking about what you want to do with them. Stories work easier because if you write a novel and put that much time in you will want to pursue traditional publishing, just so you know you did. Stories are good because you can put a collection together of anything from three stories on depending on length and format and you have something valid. I cut my teeth with ‘zines and chapbooks but with services like Create Space and Lulu you have the chance to put out a professional looking book and that means so much more.

So why the hell are you doing this?

Because until you have that book in your hands, until you see why you do this, and until you have to start learning how to promote yourself and your book and how to market and how to price and how to sell your work you are just working with theories. Books make you move from theory to practice. And you need to know what you are working with and you need to learn what works and doesn’t. In essence, you need to learn to be a sales person because that is part of the deal now. And for me, seeing what it becomes, seeing what stories are meant to be, it really brought it all home and made it real and made me love it all the more.

Follow Your Path.

Every writer out there has THEIR way to do things and THEIR way to become successful and all that other crap but here’s the deal – this is your journey, your path, and you need to find your own way. Listen to what everyone says, even mopes like me, but in the end you have to decide the course you need to take. Once upon a time I let someone tell me I was no artist and I quit art for a looong time after that and that’s my fault. I can’t imagine where I’d be if I hadn’t listened to them. I may not have been a great artist but I may have been a happier person because I loved art and I shouldn’t have let someone talk me out of that love.

So write.

Write not because you have to but because you want to and you want to share your stories. There are so many options now. E-books, podcasts, open mic nights, chapbooks, self publishing, comic conventions, horror conventions, sci-fi cons, and on and on and on. There are so many options and so many resources and so many of us, so many of us writers out there that you don’t have to be alone. Remember that. It gets pretty lonely being a writer and that loneliness doesn’t go away easy but you are not alone.

You’re never alone.

This is your journey. These are your stories. If I can impart anything unto you it’s that you need to let yourself dream, let yourself be in love with the writing, let yourself struggle and strive, and finally, let yourself do this and see what happens.

No one promises us a future, we have to make it, and as writers that’s easy because we’re well versed in writing the future, the past, and everything in between, and we should be damned before we let someone talk us out of being in love with writing and pursuing our dreams.

…c…

http://www.meepsheep.com

A Shadow Over Ever – a novel about the end

0

Pete Anders is a lonely man. An angry man. A man who has reached the end of his patience and sanity and a man who has chosen Halloween as the night he will get his revenge. What Pete doesn’t see though are the strings that are leading him towards a violent end where he can no longer be a potential threat to the people who have set him along his dark path. Far beyond all of this though is a greater tale, the story of the beginning and the end of all things. The story of the unmaking of existence. And a war that Pete Anders will soon become a player in. And Pete, simple, angry old Pete Anders is far more powerful than anyone could ever have bargained for, and far more dangerous as well and he’ll be damned if he misses out on the end of the world and he may be damned if he chooses to play a part in it.

Hillbillies?
Zombies?
Gods?
Destroyers?
The First Children of Eden?
Heaven?
Hell?
Mini-malls?
Laughs?
Scares?
Yup

Order the book

Order the Kindle book

Laying It All Out

1

I am in the midst of the most un-fun part of the book process, at least for me, and that’s laying it out. Thankfully I have an awesome girlfriend that knows her way around laying my books out who has been hard at work on it but it is for sure not a glamorous job. I wish on this book, like I do on all my books, that I could do more with the layout and production of the book. Add more. Give it more personality. Make it come alive more.

I am content with it how it is but it just feels like it’d be more alive if I could experiment with how it comes together.

I am SO darn excited for this book to come out but I am also apprehensive.

This is a book that was begun in 1994 with one short story. It has had a loooong journey to get to this point. It took forever just to decide I was done with the book and to hand it off to someone to edit it. This has been the book that in many ways has meant more than anything else to me. I love the Meep books and all of my other stuff but this is the book I have lived with for nearly twenty years. The book that I have struggled to explain and sum up for so long because I was so close to it. This is the one novel I ever really have planned to write.

This is a big one for me.

And big it is. The book on the computer wasn’t even 300 pages but as a book, as THIS book it is nearly 660 pages. Sheesh! I wanted to write an epic story and I guess I dd just that. What worries me is the price. At that length the book will have to be about $15 to sell. Not an easy task.

I have hope though.

It’s a good book.
A solid book.
And a book I am very proud of.

Heck, just read the back cover info -

Pete Anders is a lonely man. An angry man. A man who has reached the end of his patience and sanity and a man who has chosen Halloween as the night he will get his revenge. What Pete doesn’t see though are the strings that are leading him towards a violent end where he can no longer be a potential threat to the people who have set him along his dark path. Far beyond all of this though is a greater tale, the story of the beginning and the end of all things. The story of the unmaking of existence. And a war that Pete Anders will soon become a player in. And Pete, simple, angry old Pete Anders is far more powerful than anyone could ever have bargained for, and far more dangerous as well and he’ll be damned if he misses out on the end of the world and he may be damned if he chooses to play a part in it.

Hillbillies?
Zombies?
Gods?
Destroyers?
The First Children of Eden?
Heaven?
Hell?
Mini-malls?
Laughs?
Scares?
Yup.

What’s not to love?

I will post more from and about the book in the coming days but it’s coming, it’s finally coming. And I cannot wait.

For info on all my books -

www.meepsheep.com

Living Down to Expectations

1

It never ceases to amuse me when i do book events and get placed near uppity writers of self help or bios or whatever and they gimme the stink eye as if i am scaring customers off. Oh, people. So caught up in feigning what a pro writer should be but never getting the community of it that makes it fun.

Booky Business

0

Hey there Lords and Ladies of Awesomeland.

I am here to tell you that I am going to be part of a pretty rad event here in Flint and if you’re into books and in the general sorta vicinity you should come out.

For reals.

I mean, where else can you pick up the WHOLE Ringler Collection in one place…in uh, May?

NO WHERE!
That’s where.

And you can get the books from me, this here guy writing these words which you are reading so it’s like the present becoming the past.

You just read real live science fiction.

AHH!

Brains and minds blown everywhere.

So, yeah, you should come to this and check me and some other awesome writers out.

Do it.

Image

Taking Back Horror

0

Horror, at its heart, is about the war at the base of human existence, the war of evolution and instinct. Evolution tells us we have to keep moving forward because we have no choice, we must move forward to survive but instinct warns us to be wary of moving ahead too quickly because there are perils ahead. A great part of horror, specifically the films, has been about letting our curiosity outreach our rationality. Yet, without that spirit of adventure we lose one of the things that make us special as a race. Ah, but it also has caused a lot of pain and damage as well. But as go humans, so goes horror. Horror seems to always be at a crossroads where its makers waffle between leaping forward with new styles, new types of films, and new ways to tell stories and following the path that was laid out in the past. For some reason it seems like it always has to be one way or the other though, there’s no real balance.

For me, horror works best when it IS balanced, when modern ideas are melded with classic techniques. It is taking a unique approach to a familiar subject. Horror, when it works, taps into our fears in such an intimate way that it haunts us and becomes part of that old fear, forged to it forever. And you can argue over how nothing is scary in the modern world or ‘horror’ is dead (like they claimed irony was dead) in the face of a world full of real life terror but the fact is that Man has always feared the Unknown and sometimes we need to cling to the fear of a specter, of a monster, of an invader from beyond because it allows us to quantify and classify and indeed defeat or overcome these things, something we can rarely do in our day to day lives. Horror serves a purpose, even if some of us don’t want to admit it, because it’s like they say, better to deal with the devil you know (the actual Devil), than the one you don’t (some masked person entering your home in the night set on disrupting your life or worse).

The thing is that horror is out of balance right now. Horror’s creators chase whatever trend is popular and drive it into the ground, neutering the fear and the thing behind it. Why do we mock the undead and vampires now? Because they became overused and trite. It isn’t that they became romantic, in the case of the vampires, or too slow in the case of the undead but that they became too familiar. In the hunt for money horror has become a genre focused on the easy scare, the easy dollar, and the easy out. Times change, and so do storytelling techniques, that’s natural, but when things start to become a problem is when the horror films become interchangeable to the public. ‘Oh, it’s a zombie, it’s just like ‘blah-blah’ or ‘I hate vampires, they’re just like ‘blah’. And it’s true that horror runs in cycles, that these trends are not new, but it’s that now you have not just books, you have television shows, you have movies, and you have made for video and television movies that clutter the landscape. And the thing is, if all of that stuff was good we wouldn’t have a problem. Alas, that’s not the case. It’s that the crap, and there is a lot of it, overpowers the good stuff out there. This isn’t a matter of taste so much as quantity and quality. Personally I get a kick out of the found footage films. It’s a novel concept and when done well really brings horror films back to what makes them so potent – that instinctual feeling of terror when something isn’t right and we’re powerless in the face of the unknown. Once those found footage films became popular though the trickle down effect kicked in and all you need to do is go to a video store, look through what’s streaming on Netflix, or just look at the new releases to video and you see the glut of found footage movies we’re getting. What makes it worse is these get-rich-quick schemes are all about that first idea – the found footage – and little else. Logic, acting, direction, story, all of that goes out the window. You can dress it all up with gore, with nudity, and with sensationalism. Other films hide their faults with similar tools or with the quick editing that has become so popular in videos and modern action oriented films. Don’t like the way the movie’s going? Just wait, there’s probably a boob or spurt of blood in the next reel. And I dunno that we hate zombies and vampires so much as we hate poorly done representations of them.

Horror, like anything else, when it hits the mass market is all about money. When it leaves the campfire it is about the numbers. And that’s fine. It’d be great to think that horror could be treated like Art, and done for the love, and to varying degrees it is, but that love must always be tempered by cost and return. Movies and books are not inexpensive to produce and create. The more expensive a thing is the more important it is to make some money back to 1. pay back the investors that believed in the projects and 2. to filter out what works and what doesn’t. Now, the second part there is always up for debate as what ‘works’ and doesn’t is usually up for debate and a matter of popular opinion, but the first is just a truth. If the stuff doesn’t make money, it won’t be made. You have to accept that there will be hackneyed ideas and retread terrors, and that’s part of the deal. But the thing is that that is pervading and infecting the genre. It has become so that every new idea has to be sold as a retread of a different era. ‘Oh, it’s an homage to the ‘70s’ or ‘It’s just like an ‘80s movie’ have become selling points. And sure, there were great movies from both eras but why are we so focused on selling the past and not the present? Every horror out there was inspired and influenced by what came before it. OK, got it, let’s move on. Let’s look ahead.

Let’s take back horror!

And how do you do it?

How do you take back a genre?

By taking the genre seriously. Sure, we’ll have the trends, we’ll have those that chase the dragon of what is hot at the moment but what if we started using those works as springboards to new ideas and new perspectives? Take CHRONICLE for example, a film that took what was being down with horror and the found footage films and used it to tell a story about people with superhuman powers. Horror should be leading the charge, not following the pack. Horror is where you can take chances, where you can take risks, and where you can push boundaries. Sure, horror is damned for those very reasons but it also opens things up for creators to tell more personal, more daring, more dangerous stories. Instead of focusing on the film’s beats – open with scare, go to friends, go to sex, go to false scare, go to death, go to friends, go to scare after scare, go to revelation, go to final battle, go to false ending, go to climax, go to jump scare, end – we need to be looking at how we can play with what has been done before. Doing this is not always successful but it’s the risks that have the greater payoffs. THE THING was considered a flop, a disaster, yet now, so many years later, it’s a horror classic. That’s what we need to chase, the monsters, the ghosts, the FEAR, not the money. The money will come if we do our jobs well. If we make good product. And it is product, whatever it is, and it must be treated with respect because it is, in many instances, someone’s money on the line, but it also must be its own animal if it is going to be something that people remember and return to. And that’s where the balance is – balancing the art and the money. The past and the present. The evolution with the instinct.

Horror is about the intimacy of the moment because deep down you are truly alone when you are terrified. You can fear for others, sure, but terror, horror is about YOUR fear, and how you deal with it. That’s what so many of these mass produced films miss, that you can tell a big story, a little story, a mass marketed story, it doesn’t matter, and still be effective, but only if you make that fear an intimate thing. And nothing I write here will change the greater picture but it’s only by looking at how things are sometimes that we can change, and if we want to have more classic horror films, more films that we will remember and return to, more horror we’ll read time and again, then we need to start getting back to what makes horror so impactful, and that’s the terror, the intimacy, the instinct, all while we keep an eye on evolving the genre to keep it fresh and potent and living.

Not easy things to do, but the fun is in the challenge, and in the horrors yet to come.

…c…

www.meepsheep.com where I have all manner of terror just waiting for you