So Where the Heck Have You Been?

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Ok, not that anyone noticed, but I haven’t been as active on here this week, and for that I apologize to, well, no one as there are not a lot of people poking around here. I mean, sure, some of you go and peek in the garbage but there isn’t much to find there, I bury the bodies out…oh, um, yeah, so, uh, bumble kitties. You know, kitties with crazy wingies and buzziness? Yup.

I will get some movie reviews up ASAP. It’s birthday week for me though so I have been knee deep in revelry but will get new stuff up this weekend. Man did we watch some terrible stuff on Netflix for my birthday. It was epic and wonderful. So look for more reviews of awful movies soon.

Until then…have you ordered my books yet? If not, get over to the right side of the page and get on it.

Seriously, I can’t depend on you guys for nothin’.

THE MEEP SHEEP sample…

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    Today is a bit of a special day so I figured I would give you a taste of The Meep Sheep so you can see why I am so excited about it. This is from the story Ashley Pickles and the Bumble Kitties.

 

He frowned and sighed again, kicking an acorn into the water and sending out ripples that woke the Water-Dragons from their naps and sent them down to the depths in a flurry. Where were his Meep Sheep, wondered Ash. If they were so great and all, and brought happiness to people then where were his? Ashley walked to the water’s edge and looked into its murkiness for the answer and above him the clouds parted and the sun appeared for the first time in two days, seeming almost to mock his misery. Ashley walked back to the tree, bundled up his lunch and bent down to absently pet the sleeping Bumble Kitty that purred quietly near where he had been sitting. As soon as he touched it the kitty purred deeply and stretched its back to give him more to pet. This was a calico, and had taken to following Ashley around whenever he came to this spot, always begging for attention and pulling Ash’s mind away from his music whenever he got frustrated trying to think of a song to sing. He stood back up, to the dismay of the kitty, and started back toward his home. He wasn’t ten feet before he heard a familiar meowing coming from over his shoulder and turned to see the Bumble Kitty was following him, it’s wings, so very like a butterfly’s, beating hard to keep up but unable. Its wings never seemed able to hold up the big, furry bodies, and their short, stubby legs were rarely able to move them very quickly so it was not often that a Bumble Kitty was able to do much more than waddle around, hover, or sleep, their laziness halting them from doing much of anything. Ashley felt bad in leaving the kitty and its bumbling (the sound of its purring intensified by flying), made him want to slow, to stop, and to give it a pat on the head. He pushed forward though and the kitty kept coming. Ashley paused a couple times to see where the kitty was and saw it trailing further and further behind but was finally able to get up enough speed so that it gave up the chase and let out an angry yowl before dropping back onto the grass. This had happened to him before, and not just with this kitty, but with all Bumble Kitties he met. It was funny at first, having so many of the kitties purring and flying around him, but it was distracting and made it awfully hard to get any songwriting done.

If you enjoyed that, check the book out, it’s pretty neat.

The Meep Sheep or if you prefer your stories a little darker, check out This Beautiful Darkness.

Autopsy of the Dead – review

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If there is a subject that should be rife with stories and ideal for a documentary, it should be Night of the Living Dead. This is single-handedly the most influential and important horror film made. Argue if you want to, that’s fine, but genre and sub-genre alike were born of this seed, as were the directing careers of dozens of directors. So being such an important film, you would think this would be a wonderful source of information for a documentary, alas, this is not the case, at least with this film.

Delving into many of the lesser-known contributors to NOTLD, the film features anecdotes and stories from the making of the seminal film. All but a couple of these people are either used to only working behind the scenes on films or were local citizens that ended up lurching around in the background hungering for flesh. Most of those interviewed are very awkward, though genuine, and while they have some interesting stories, the lack of someone on camera to ask the questions and direct things is a real issue. The film presents you with several sections but none of which seem to fit the title card, and the anecdotes are aimless and offer no deep insights into how the film was made. This is not to say that there are not some interesting stories, and it is wonderful for all these ‘bit’ players to get some limelight and to be able to talk about their experiences. The problem here is that the people you want to hear from that had the most to do with the film are nowhere to be seen. There is no Romero, and none of the other seminal people that tour regularly at conventions. Had those voices been included this would have been an absolutely necessary film for fans of the series and for film fans in general. As it, the film seems unfinished.

Shot statically, so that it becomes talking heads in their homes, and with no one to lead the discussions, this is a very disjointed and, sadly, boring film. There are interesting stories, and again, it’s great to see the personalities involved in lesser roles in the film, but there isn’t enough here, and what there is here, it isn’t nearly as informative or exhaustive as it should be. This feels more like excerpts from a book than a film. And what a book would it make. Very boring direction and awkward editing, some terrible title card effects, and no real sense of flow (the movie has no real ‘story’ to tell outside of the anecdotes). The shame of this is that this is footage that should be seen by fans, but should have been held until Romero or other voices could be added to the mix.

A very uneven and boring film that, while at times interesting, never really does more than offer a few fun stories and a couple really fascinating ones (how the film was lit and how the end sequence was done is really interesting to hear) but overall, is a pretty disappointing movie. What a shame and a missed opportunity.

4 out of 10

Motorcity Nightmares Day 3 (wrap-up and thoughts)

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So closes the Motorcity Nightmares convention of 2010, and with it came some very harsh realities, the harshest being that if I am going to do conventions, I need to choose them better. See, I have been doing cons for years because, as an indie artist and writer you have to get your work in front of people and there are very few avenues available to you to do that. Conventions give you an audience with money and with an eye for something interesting and off the beaten path…usually. What I have been finding over the past three years though is that people are a lot tighter with money. I mean, I tell them that a painting, a small one, is ten dollars and I get a long sigh and an ‘oh’. We don’t value art as much as we value say, an autograph. It is what it is.  But these smaller shows, as much fun as they are, just have not done it for me. The last MCN I made some decent dough, this one was all but a bust though, and I just invest too much money in getting a table to be able to do that anymore.

So how was the last day, and the convention in general?

Today was pretty rough for me, I won’t lie to you. It was a slow day in general, Kane Hodder and Tom Savini took early exits so there were less guests, and the overall feel was that this turkey was cooked. The day got bad for me when a guy whose work I and a friend admire (he does some prop work for a friend’s television show) and who we both had had good dealings with before but today he decided it was a swell time to berate my work in front of me. He felt compelled to tell me how he ‘didn’t get it’ and that it looks like the work of grade-schoolers. He was very unimpressed. I was stunned, as was my girlfriend, and all I could think to say was – ‘well, that’s a shame because I am a grown man, and that’s my style’. He didn’t quite get that I was unamused, for some reason. It was stupid and petty but sadly, he had said the same, essentially, the day before as had another cohort of his. I am just stunned that someone would take the trouble to confront someone with the fact that they don’t enjoy the person’s work. Especially shocking was that this came from a guy that 1. I had met and spoken to and that 2. works on the weirder side of entertainment. Just dumb, all the way around. It took a lot out of me though, his comments. Thankfully I made a few sales after that – a couple books, some buttons, and a painting to a friend – but better was the pep talk my friend Mac of Wolfman Mac fame gave me. He told me about some crummy experiences he had had (even during the weekend) and to hang in there. Once again he proved why me, Mandie and our friend Justin adore him so.

The day was long, but I spoke to some fun people, and it ended an hour early for us, so that was good.

But how was the show overall?

Since the economic downturn in the country and in Michigan specifically it’s been made clear that things are not as they once were. As far as the entertainment community seems to feel, Michigan is dead. We get fewer concerts, and for sure get less pop culture events. Knowing this, I admire the hell out of the people behind Motorcity Nightmares. These are people passionate about horror and their state, and who are trying to bring something neat here that we just don’t get. Outside of these shows the last horror con I remember was in 1991. There was a big one set to come here last year and it was cancelled due to their deciding it wasn’t economically feasible. It cannot be easy to put a convention together and I admire anyone who can pull it off. Last year’s show had to be pushed back, leading many to believe there would not be another show but to their credit they pulled together a show for 2010, against the odds.

As much as I admire the work and passion to put this together though, I have definite issues with the show as a whole.

When looking at the whole of the event, it was decent, but far from great. The guests that were there were fun, approachable, and had a good time with the fans and one another. The vendors were hit and miss but most were very polite and affable. I still don’t understand the indie filmmakers that have attitudes as if they are something special, especially in an environment where they are surrounded by their peers. The show was not really overrun by fans at all but many of those I saw had a good time. The film rooms were much improved, and the added variety was great. And I admire the hell out of the celebs that stayed for the whole show. I respect people who, having signed a contract, stick out the show and make the best of it. That’s the sign of a true professional.

Some issues cannot fall on the shoulders of the promoters and that is celebs canceling or not showing. Much like the first year a major guest canceled on them and then another one, a minor horror host, never showed. What bothered me here was that there was no mention of these facts on the show’s website or their Facebook page, which is pretty crummy since there may have been fans coming specifically for those people. You have to be completely honest with this stuff or you lose the respect of the fans, and when you lose that you are cooked.

Also the pricing of autographs has become ridiculous. You cannot have a good show, and have the vendors do well as well as celebs, when the celebs are charging outrageous prices for their signature. Sure, sell your merch, but charging to simply sign something is weak. And I know that there are definite sales I never had a chance to make because people spent their money elsewhere.

What does fall to the people behind the con is the value involved. I spent more money for a table with them than with a much bigger convention, where I will have a chance to make more. I still got the table because I believe in the con and want it to succeed and wanted to be a part of that. But with high table prices, and high ticket prices to get in make it a priority to make it a convention that people need to have been at. You want to make an event that is so packed, and so fun that people will regret missing it.

- They needed more celebs. And I get that that costs money but there are regional people and cult personalities that may not be huge draws but, added to a couple big draws, would add to the appeal of the show.

- You need to have move vending. I get that you can only do what you can but if it looks like you’ll have open spaces then offer spots for discounts. Hell, I don’t mind. The more of us there are the better it looks and the more for people to see and do. That a spot was used for promo items and another for a vodka company bothers me because those should have been used for things to make the overall experience richer for the guests attending.

- Bigger movies. For this show, they needed to call out George Romero, who canceled at the last show and owes them a favor. They needed to get Survival of the Dead there as well as maybe smaller films that got good word of mouth. Maybe show a couple cult movies if you can get people involved there. They tried this, to some extent, and that is a great step in the right direction, but they need more.

- If you cannot get more celebs, get more indie and lower key films and film creators. Make it about indie horror then and play to that end.

- Ask your vendors and friends and whomever to help promote it. I swear to god I was the only one getting the word out there at one point. I am sure that isn’t the case but we all need to get the word out. Hell, I know for a fact that con made $125 just off of people I had let know about the show.

- More to do for the guests. Much like too many of these small shows, the fans run out of stuff to do very, very quickly and, unless they want to spend the day watching movies (which is not bad at all, and is good that there was more variety in the film rooms this year, so that’s cool, but cannot be all that is offered), you have no reason to stay for long. The hope, and the push is to get people into the movies but if that’s the case, have a couple bigger flicks.

- More perks for vendors. As a vendor, I invested in this convention, and as such, I deserve more than the ability to enter the party for free because me, I don’t want the party. I want a shirt, darn it! Shirts, food, giveaways, just something else to say thank-you for investing in the show.

- Professionalism from vendors and celebs. As nice as both were, it gets old to see vendors leave a show well before it’s over, deciding it isn’t worth their time or effort any longer, and seeing the celebs bail early. Yes, it’s lame to sit around bored but if that’s the case, well, wander and talk to people. God forbid the celebs actually mingle and talk to people who may be fans of theirs.

- Ask for help. There were moments where this felt too much like some people throwing themselves a celebrity party. That needs to change. And the way to change that is to get input, ask for suggestions, and to keep working at it.

- Help promote your vendors and guests. I have gotten SO many site hits from just having a head shot and an art image beside my hot linked name on the Motorcity Comic Con site it’s ridiculous. That alone has gotten me potential sales. Or at least potential fans.

Overall, it was a decent time and the major negatives are not the fault of the promoters. I don’t doubt their passion, nor their drive, and applaud their doing these shows. Having said that though, they need to step their game up, a lot. This is a fun ‘little’ show but they either need to broaden the show or shrink the prices. And get some sponsors. This is a professionally run show, a respectful show, and at times a really fun show, but it could be a great show, with some work. A lot of work. I hope it happens, I just dunno that I will be there for it.

One last note, there was a local horror host that has a ‘horror variety’ show at the con and he and his cohorts ran their jokes and behavior into the ground. They, if anything did, turned me and others off to the show. It was good that they were so ‘interactive’ but I take great umbrage with their posting ‘notices’ on walls telling us that by being at the con we could be videotaped or filmed etcetera and had no recourse. That isn’t legal, isn’t ethical, and isn’t fair to vendors, celebs, or guests. If I have to sign a waiver to be part of a movie which filmed there then I should have to do the same for them. If I don’t want to be part of their skits then that’s my right, especially if I paid money to be there. The people were loud, rude, and more often than not made nuisances of themselves. Here’s my hope they are not there at future shows.

c

Motorcity Nightmares Day 2

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   I think the last thing you want to hear as any manner of artist is that your stuff is akin to that of, say, an eight  year old. Lucky for me, that was what I heard today, and when I told the woman that no, the art was NOT done by an eight year old, but by me, she marveled that I had managed to produce art that  is just like that which a kid would produce.

Crack-dandy!

    So, yeah, it was a pretty failtastic day for me. I am not sure if it that I am muddying my own waters by having my paintings and my books, that I am doing the wrong conventions, or that I am just one of those poor suckers who has to die before he’s famous. Whichever it is, it sucks for me. There were some amusing moments from the day, such as Kane Hodder, who played Jason Voorhees in the Friday the 13th films freaking out a very obnoxious guy that was with one of the con’s ‘guests’. That was good. So good. Watched a terribly mediocre Night of the Living Dead documentary, which I will review after the weekend, and heard once in a while that my art was cute, which is nice. Oh, me and the lady-friend are going to be among the people who got shot for the beginning of a local horror film, so that’s fun. So, not as many pics today and probably less tomorrow but here are some of the things I snapped.

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Motorcity Nightmares Day One

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    So day one of MCN was pretty uneventful. No sales, though I got a lot of compliments on my art, which is really great to hear. It’s always fun at these sorts of shows because the celebs cut loose a little and have some fun, which is great. They are always approachable and fun, which is refreshing. I saw some friends, so that was great, and spent the day cracking up with a friend who came with me. Hopefully tomorrow is a busier day. So here are the day one pics.

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Paranormal Entity – review

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Oh dear, oh dear. The worst thing you can say about any movie that breaks away from the pack and tries to do something a little different is that if it’s at all successful it is immediately on the block to be mocked, or ripped, or both. Such is the case with Paranormal Activity, a movie that took the supernatural and haunted house subgenres and brought something new, and horrifying to them. Naturally, the first thing that anyone did was to rip it off. Slavishly so.

Still coping with the death of a beloved father, a mother and her two children find themselves beset by a spirit that seems to harbor them no good tidings. The mother had, at first, thought she had contacted her dead husband but as the activity (PARANORMAL activity, naturally!) begins to intensify, she and her children begin to question who or what is behind the attacks. The son decides to document what the family is going through, in the hopes of having a record of it all, and in so doing, documents the most horrifying events they will ever face, as the spirit’s attacks become more and more malevolent.

Did I say SLAVISH remake? Seriously, it is embarrassing how hard this film wants to be Paranormal Activity. The shots, concept, style, everything but the main story and the skill with which the film is made are direct rip-offs. We follow the family around as if we are the son, watching as the horror unfolds, and, naturally, there is always a camera present. Well, present that is until the end, which we somehow, despite all the cameras placed around the house, we manage to miss out on. It’s like, they went to all this work to set up the end and then never invited us. What the heck?

The acting is passable but not good, the film’s story is an utter ripoff, the effects are ridiculous, and the filming is less gripping and engaging than their inspiration. There is one sequence that is almost scary, when they find footprints somewhere very strange, and then find where they originate. Good stuff. Otherwise you sit there watching the film waiting to see if and when the actress playing the sister is going to get nude. Naturally, she does. They had a chance to at least use a template that works and to make something effective but instead made a really tepid, really boring imitation of a good film.

Watchable, for sure, but for all the wrong reasons. Yet another example of the direct to home market taking the path of imitation, and wasting both money and time. Heck, they went so far as to even rip off the cover art of PA. Ridiculous. Utterly ridiculous.

4 out of 10

So Now What?

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    Well, now that The Meep Sheep is out you’d think the heavy lifting is done, right? Ha, I wish that was the case. Getting the book out is the big deal, that’s the pat yourself on the back work, but the thankless work comes now, and that’s with supporting the book. Now is where you have to do a gut check and to believe in yourself and the book you produced.

Next up for me is the heart of my convention run which starts this weekend –

Motorcity Nightmares in Novi, MI. April 23 – 25. Pretty cool horror con with some fun guests. Definitely worth a look.

Motorcity Comic Con in Novi, MI, May 14 – 16. Michigan’s biggest comic and pop culture show. Tons of guests and a really fun weekend.

After those I have my sights set on a huge weekend arts festival in Detroit that is at the end of the Summer and then a book and author show in October. Hopefully some shows will pop between them as well because the name of the game now is promote, promote, promote.

c

The Meep Sheep – press release

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Press Release – The Meep Sheep by Chris Ringler

Dark clouds have formed in the Kingdom of Man, clouds of dissent, doubt, and worse yet, fear. After a century of peace and sunshine darkness has come to this land, and with it the rumors of unrest, and unless a young queen can stop this brewing storm, her entire world may be destroyed.

The Meep Sheep is Flint author Chris Ringler’s third book and is far different than anything he has released before. The Meep Sheep is a series of fairy tales all set in the Land of Man, where wondrous creatures and amazing people mix in a world where magic has not yet been forgotten. These strangers will journey to find themselves but will also join their destinies together to stop the darkness from overtaking their land before it is too late. This is a book about the joys of self discovery, the wonders of a world where magic is alive and well, and of the dangers of self doubt and fear. The stories of The Meep Sheep follow Messy, a young queen learning to lead, Ashley Pickles, a musician learning to share his gift for music, Amanda, a young journalist who befriends the dangerous Panda Kingdom, and No One, the old man who guards the much feared Great Thicket. Separately they can only battle their own issues but together they can save their world.

This is Chris Ringler’s latest book and will give readers a chance to see a new side of this talented writer. Along with The Meep Sheep Chris is the author of This Beautiful Darkness and Back From Nothing, both of which are darker short story collections. Chris has had three stories published in Bare Bone and was published in Cthulhu Sex Magazine. Mr. Ringler has been writing for nearly twenty years and in this time he has completed a novel and hundreds of short stories. During his writing career he received Honorable Mention in The Year’s Best Fantasy and Horror 2006 and 2007.

Chris Ringler graduated from Lake Fenton High School, in Fenton, Michigan in 1992 and went on to attend Mott Community College and then The University of Michigan – Flint, where he graduated with a BA in 1997. Mr. Ringler is a writer, artist, and photographer and lives in Flint, Michigan and is someone who fell in love with writing and art at a young age. Chris has been doing pop culture conventions and art shows for fifteen years now and hopes to keep getting his book into the hands of readers every chance he can.

For more information please contact the author via email – pumpkinpete@comcast.net

For a full description of the book or to obtain a copy, please visit the E-Store – https://www.createspace.com/3436738

For more info on Chris or his books head to his blog –

www.grimringler.wordpress.com

Review copies are available.

THE MEEP SHEEP available for order NOW!

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I am very proud to announce the release of my newest book – THE MEEP SHEEP, which is a novel told in short story form about the magic and wonder found in the Kingdom of Man. This has been a total labor of love that started over six years ago and which has lead to this.

I am lucky to all of the friends that inspired the book and its characters, the people who bought the chap book of Messy and the Meep Sheep, the friends, my family, and all my loved ones who helped keep me going through all of this and especially to my girlfriend Amanda, who laid the book out and believed in me and the book every step of the way.

THE MEEP SHEEP is available for $12 right now.