All the Boys Love Mandy Lane – film review

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All The Boys Love Mandy Lane

Mandy Lane is a every high school boy’s dream – a shy teen who has finally blossomed but doesn’t seem to know it yet. She is a young woman who developed over the course of the summer and all the boys are noticing, to the chagrin of her best friend, another boy with the hots for Mandy Lane. As hard as the boys throw themselves at her though, Mandy rebuffs them, seemingly disinterested in dating altogether. Months after one of Mandy’s suitors dies during a stunt to impress her, she has become the prize of the high school – a beautiful virgin who won’t go out with anyone. When one of the guy’s talks Mandy into spending a weekend out at his family’s ranch with he and his friends it appears that Mandy is finally ready to loosen up and the game is afoot to see who can be the first to bed her. What no one knows though is that someone has followed them to the ranch, someone obsessed with Mandy, and who won’t take ‘no’ for an answer.

MANDY LANE is a pretty decent slasher film with a couple nasty kills and some very good suspense. It is interesting that the film begins like your average teen sex comedy but which takes a dark turn and stays dark from there on. The acting is good, the horror is good, and the film doesn’t take a cheesy turn. I have to admit that the resolution is the weakest part of the film, and that’s for a couple reasons – my own wish for a different ending, or for at least one that took things one step into a different direction. None of that is to say this is a bad film at all. The drinking/drugging part of the film is pretty heavy handed, I have to admit but it never gets to the point of becoming parody. This is a nasty little thriller that horror could use more of these days. Not perfect, but a decent movie that will hopefully see the light of days sooner rather than later.

7 out of 10

Fare Well – a story

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As a Christmas gift, I wrote this story for my girlfriend Amanda. This is part of the same story cycle/mythos as the Meep Sheep.

Fare Well

Amanda wiped away the tears as her carriage left the city of the pandas and headed her into the snow and to a home she hadn’t been to in ages. She had been with the pandas serving the queen for two years and in that time she had made friendships such as she had never had before. Had it not been for her family and boyfriend waiting for her she would be tempted to stay with the pandas forever but there were other adventures, and other stories for her to write and it was time for Manda to return to her life. It was time to go back home and back to writing stories that didn’t involve the wonderfully complex world of the pandas.

A sob escaped her as she looked out the back window of the carriage and saw her friend Kindri, a young assistant to the elders, waving goodbye. There had been a grand ball the night before in her honor, not so much a ‘goodbye’ as a ‘fare well’, and it had been something she would always cherish.

“Goodbye is for war, Miss Manda…and for the dead. You are going to neither, so this is fare well.” She was told gruffly, though there were tears in the voice of Ruuuj, one of the honor guards in the city.

Yes, not goodbye, just fare well.

Amanda forced herself to look away from Kindri and turned around to face forward and look toward the road ahead, which was covered over with the winter snow. Behind her the preparations were already being undertaken for the grand winter festival, which was a mix of the annual Renewal Festival and of the traditions of Amanda’s home, something the pandas had taken on in her honor. No one had anticipated how well the pandas would take to her, especially not Manda, but it was true, and the Kingdom had changed because of this friendship. In fact, were it not for her, what began as unrest in an outreaching part of the land may have become full war if Zoof, one of the panda elders, had not gone to speak with the people and taken the Winter globe with him, and it was that which turned the tide. The wonderment that could be created with the magic globe was enough to calm the tide of this budding war and so this would be another season of peace for the Kingdom of Man. Manda smiled thinking this and it was that warmth that took the tears away.

The snow was a blur outside the small window as the carriage picked up speed and Manda looked down at the small green box she held in her hands, a final gift from her friend Loof. He had told her, the day before she was leaving, that he preferred to see her off then, so it was not truly anything more than a fare well, because she had not departed yet. In sending her off though, he gave her the one gift she accepted from the pandas – a small green box. It was not that she didn’t desire to take the beautiful presents that were offered her but she knew their culture well and that gifts were only accepted like that by the family of someone who has passed away, and she was clearly not departing anything more than this kingdom for another. So what she did was have the pandas leave the many gifts of food, clothing, and the beautiful sculptures that were part of their heritage with Kindri, who kept a small cottage for Amanda, should she return. It was a nice thought for her, a warm thought that there was a place for her there. There was a home.

Ah, but when she’d ever get to return was the question.

Much had changed in the Kingdom, and there was much to report, and Manda was still the lead reporter for the Queen and as such, wherever there was something important, she was there. So when she might return she wasn’t sure, but she would.

Some day.

She hoped.

Ah, but the box.

The snow was a blur beyond the window and the sun was fading. It would still be hours until she was home again and that was an awful long time to think so the box was the perfect distraction. The box was small and green and though simple at first glance, was very ornate. Small, stones had been woven into the fabric, and though they were nothing valuable, their rarity to the pandas and in their lands made them of great value to Amanda. Tears started to run down her face again.

She wasn’t sure what she expected to be in the box but part of her didn’t want to know. Opening the box would take away the last mystery she had left from the place. Maybe the last she would ever have from there.

More tears.

But then, deep in her mind, she heard the voice of Loof, who had once told her that as long as there were sunrises, there were mysteries. Mysteries did not pass with the person – they only became greater, broader, and more wondrous. Each day, he concluded, is a new world, a new mystery, a new life – it is for us to link these days together or to push into the thickets and make a new path.

Manda nodded to herself.

To not open the box would be an insult. She must be brave, she must be bold.

She must forge ahead.

Amanda took a deep breath and opened the box.

Within the small green box was a red key atop dozens of coins of different color, size, and seemingly denomination. Even in the dim light of the carriage the key sparkled atop the coins and she couldn’t help but smile. Fastened to the inside of the lid of the box was a note, which Amanda pulled out to read.

Miss Manda – I give to you my most cherished treasure – a Key of Dreams. I was given this by a shaman from a lost Tribe of Man many, many years before our histories were recorded. I give this now to you, you who have bridged the Panda Kingdom with the Kingdom of Man once more. I give this to you and smile, knowing the adventures I had with this key when I was younger and had far more dance in my paws. This key is for not a door but for an idea, for a dream; and dreams, my dear, can be found everywhere one looks. When a day comes when you need an escape, when you need an adventure, when you need a new story to tell then take this little red key, close your eyes, and think of where you want to be. When you have that in mind, hold the key out and turn it and a door shall appear and through that door you will arrive wherever it was you dreamed. To return, you do the same. This key is as magical or terrifying as the user wishes, so be warned not to dream darkly unless you wish to see the shade. Use it well, and I trust, some day, you will use this key to dream of us, so we might see you once again.

Amanda couldn’t stop the tears as they coursed down her face, nor could she stop the smile that lit her up and warmed her as they were linked. She lifted the key and it was light, light but warm, and she smiled more broadly, a place in mind, a person in mind, and closed her eyes and held the key out and turned it and felt a lock click open and then a breeze. She wondered a moment about her luggage and then laughed – the carriage would go to wherever it was bidden to travel, with our without its passenger. She took a deep breath and leaned forward, eyes still closed, and fell into nothingness, and into the waiting arms of the one she loved.

And somewhere, far, far away, a grand old panda laughed, as if tickled by a breeze, or by the kiss of someone precious, and it was a smile that lit its face as it fell back into slumber.

Dear Dell

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So this is a story of a different sort, kids. This is a terribly true story that I have been going through of late. I relay it not as a sort of crazed missive against the company of Dell but as yet another story, this one just happening to be true. I will give you the introduction, then you get the letter I mailed to Corporate, with my comments in italics.

Just shy of two months ago I ordered a new desktop computer. I like Dell’s stuff and have an account with them AND I wanted to get Windows 7. So after months of waffling about when and whether to get a computer I finally pulled the trigger and ordered it. The total was in the six hundreds with shipping and it would be a couple weeks ’til I got it. Okey doke.

So I ordered and waited and waited and it arrived. I was stoked. I worked the day out and then set it up and booted it for the first time that night. Alas, the computer would not fully boot. I contacted Dell Tech Support via chat and after some wrangling managed to get them to agree to send a tech out to fix the computer via replacing the hard drive. I was not in the mood to wait longer but whatever. So the tech comes and, after giving me a load of ‘tude about why the new compy wasn’t plugged in and crap, he swapped drives, booted it and bailed. It was the day before Thanksgiving and he was trying to get off work. Whatev. The compy booted further than last time but this time I got an error that I didn’t have enough memory. I rebooted and it was going along fine until in the background an error read that it could not partition the drive.

What?

I contact Dell AGAIN via chat and am enraged. This is crap. Utter crap. I could return it, get it fixed again, or replaced. Not good enough. I wanted more. This was ridiculous. So I pushed and pushed and, after getting disconnected from chat three times, and speaking to two underlings and two different managers, I found some hope. I talked them into upgrading my hard drive to 500 GB  from 320 and would get free shipping. I was not happy but this would do. They would try to get me the compy ASAP.

It was re-ordered Nov. 27. Today is Dec. 23. I am still a week out from MAYBE getting it due to a backorder. No one will do anything for me. I have tried everything. Even so far as to write the below letter. What is interesting is that the deeper you get into the customer service, the better English you get. And the more you chat with them, the more of their script you get. This is silly. I am about to make a second payment on a computer that I cannot use. That no effort has been made to ship a better compy that is on hand, or to do more for me has made me decide to not work with Dell after this order. They have a week to get me a new compy. Then I cancel it and return the one sitting on my floor and walk away.

Here is my letter.

Mr. Dell

I write this letter with the full appreciation and understanding that Michael Dell will not read this letter but with the hope that SOMEONE will read it and that they might be able to address the problems I have had. It isn’t so much that I expect that someone will be able to help me as that they will be able to help a future customer.

I have been a Dell customer for several years now, having purchased two computers, a printer, lots of ink, a monitor, and now a desktop PC. I was drawn to the company because of the strong commitment to customer service, quality product, and affordable prices. I had been happy with Dell for the time I have done exclusive business with you. The problems started with my Dell Mini 9 when the hard drive crashed on me. This happened in the first year I had it so it was replaced after a lot of time speaking to customer service. Things have been generally good though until recently.

I am writing you in regards to my most recent order with Dell, which has been an utter nightmare and is still unresolved.

I ordered a Dell Inspiron computer on November 10th of this year. When the computer arrived I booted it up for the first time and the computer would not get past the first screen when Windows is loading. I rebooted and it did the same. Upon contacting Dell I was told via Chat Session that the hard drive would be replaced by a technician immediately.

Within a few days a technician was sent out and the hard drive was replaced.

Unfortunately the tech left just as the computer was booting so he only saw that the computer loaded to the opening screens then would go no further, the messages on the computer alternating between it not having enough memory to the drive not being partitioned.

I booted and re-booted the computer but could get no further than those screens so again I contacted Dell Chat. I was furious at this time and had had enough. I wanted a new computer immediately.

After several hours of back and forth in the chat (I was dropped from two sessions during this time and had gotten no resolution via email requests) I finally got somewhere and was talked from ending all relations with Dell to letting Dell take care of the problem with a new system.

The people who finally aided me were very kind and very helpful and made sure they were doing the best by me. My problem is not with them.

My problem is with Dell.

A new system was re-ordered on Nov. 27th and I was told I would have it in ten to fifteen days. I was not happy about this, but I would hang in there. It seems silly to have to wait that long for a system that SHOULD have shipped ready. I have been waiting on this machine for weeks. I have made one payment on it already. I have contacted Dell since this re-order to be told last Sunday that the machine would be to me in five to seven days.

In seeing that the status of the computer is stalled at In Production, and with a ship status of N/A I have become worried. I called today and was called back and was told that the computer was STILL stalled due to parts not being available. I was told that it MAY be here by next week but MAY take a few days longer.

I appreciate that this is a busy time for Dell, I do. But this is ridiculous. Dell support has been very kind and understanding but there is a point where someone needs to be accountable and to make this right. It would seem that I have been waiting SO long that an offer would have been made to ship a better computer that is built to me for the same price I would pay for the other machine or heck, FREE for all my trouble.

I am not a rich man, not by any stretch, but when I was looking for something related to computers I trusted Dell with my hard earned money. I trusted them enough to recommend them to friends and loved ones. I have been a customer in good standing for several years now and have been completely loyal to Dell but my faith has been cracked and I am more than willing to look elsewhere for computers in the future. I hope others don’t have to go through the same things I have had to.

thank you

Chris Ringler

1.10.10 – And here is the update – finale – So after two months of waiting I got my computer from Dell and..it works. It works wonderfully. I love Win 7, and I like the system. My issue still is that over and over again I was given misinformation. Had I known it would take two months I woulda canceled the order. So Dell got what it wanted – to ship me a computer and get paid – but at the cost of several potential buyers. Everyone I work with has sworn off Dell because of this ordeal. Hell, one of the Dell managers told me to tell them how upset I was. Alas, as Dell Corporate Escalation called today I am sick, I am over it, and it was clear that they are too. So what did we learn?

- You can get your voice heard…sorta. Just don’t expect them to care and, unless you want to raise hell, you may not get a damn thing. It took me haranguing them for a while before they upgraded my hard drive and got me free shipping. But it happened.

Presence – a holiday story

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Presence

She was the last to arrive and she knew it. She was always last, every year, no matter what she did, how she did it, or when. She could get up earlier, could eat breakfast faster, could unwrap things without taking them out of their packaging but it never mattered – she would always be last. It was just something the other two girls could count on, and, she supposed, that was how it was meant to be. She smiled and pulled the coat up tighter against her chin and wiggled her behind to test for the weight of the backpack she wore and that it was still there.

The snow, which had been but a whisper when she awoke was now a scream and it was hard to see where she was going, the sidewalk lost beneath the powder. Luckily she had remembered her hat or her long black hair would be flying in the wind behind her, a great and tangled sea creature looking for prey. It was still early, even for a holiday, so most of the street was still asleep, or buried in foot high wrapping paper. Her parents hadn’t been keen on getting up at six in the morning today but it was only once a year and she was an only child so, it wasn’t that bad. Worth it, they whispered, when they saw how happy she was when she opened her presents. And she was happy too, to spend time with them on that most special of mornings, but as much as she enjoyed the gifts, and the lights, and her family, and everything else, she loved her time with her best friends the most. The girls. Her smile, which had almost blown out from the wind, ignited again and she hurried her pace.

She was still ten blocks away from the bridge when Mrs. Kendricks and Gunter, her German Sheppard moseyed by her and honked. Mrs. Kendricks was the only person on the streets though and, as heavy as the snow was coming down, it wasn’t surprising. It had seemed as if the trip took far longer than usual but she made it to the end of the sidewalk and let out a long sigh as she looked ahead and saw the hill, now covered in heavy, wet snow, but as soon as she took the hill her journey would be done and she’d be at the bridge. She could have cut through a couple yards and picked up the road from there and taken that to the bridge but this was a faster route, to her at least, and she liked the way the houses looked all covered with snow. She looked up at the steep incline that faced her and took a deep breath and jumped off the curb that encircled the turn around where her street ended and started trudging up the hill. Amy lifted her head after a few steps up the hill and clapped her hands together and let out a laugh that echoed against the snow – just beyond where she stood was a path that had been made into the snow, a path that lead over the hill and surely to the bridge. The girls strike again! Yes, she was late, but it had its advantages sometimes.

Heartened by the friendship of the other girls, Amy pushed forward through the snow, her feet starting to get soaked through the boots and the bottom of her dress dampening as well. The wind kicked up but within feet she was on the small trail and laughed her way up the hill. As soon as she was atop the hill she saw the smoke from the small fire that Kara and Paula had going and, as she hurried her pace, she knew she’d catch the smell of coffee brewing the closer she got. She wasn’t wrong, though what she caught was the smell of chocolate and her stomach gurgled its approval. She gave a call and Kara and Paula, huddled over their small fire beneath the bridge, stood and waved at Amy as she approached. As soon as they caught sight of Amy both girls laughed until tears were running down their cheeks, forcing color into Amy’s face until she realized that they were laughing because they too were a bit overdressed for a simple meeting under a bridge. Amy loved this time of year above all others. This was their time. This was for the girls. But each year was hard, and even beneath her smile there was the trepidation that this day brought with it hand in hand. Things were not as hard for Amy though as this wasn’t her year, but it didn’t make the trek any easier, or the day. Much as she loved this day, she hated it too, though secretly.

“Well, aren’t we all a little fancy today?” Kara, the oldest of the three, asked.

Amy smiled.

“Well, I figured it was Christmas and all.”

Paula nudged Kara.

“Yeah, we were just trying to impress you, ya know.”

“Yeah, what she said!” Said Kara.

“And I was trying to impress the two of you, so I guess we’re all even, huh?”

All three girls nodded to one another and Kara put a hand out to Amy to help her down the decline and beneath the bridge. The girls had been coming to the bridge since the summer Kara had moved to town, and Amy and Paula had heard of the place years before that. A couple, she pregnant and he the suspected father, had killed themselves beneath the bridge, on the other side of the river. Some said the river and this area were haunted now but the girls had always felt safe here. They had always felt peace. Above them, around them there was so much chaos, so much change, and here there was only the three of them and nothing else. Here time froze and it was wonderful.

Amy took a seat on the blanket Paula’s great-grandmother had made her when she was still a baby and she felt the cold as soon as she was down so she moved to a crouching position like the other two were in and took off her backpack. Kara had her oversized winter coat on, a hand-me-down from her sister Emily, who had inherited it from their eldest sister Mary, who was off at college now. Paula had her dad’s Army coat on, the hole in the shoulder, where his father had been shot, always calling your eye to it, no matter how many times you’ve looked. Both girls looked ridiculous in their shabby coats and special occasion skirts but Amy thought they were beautiful. She suddenly wished she’d brought her camera.

“Amy, any smokes?”

Amy shook her head.

“Rats. I need a smoke. Mary and her newest boyfriend are in town and Emily is acting like an utter ‘tard and god, mom and dad are barely able to control their annual holiday divorce talks.”

“Sorry Kara. My dad is trying to give up again, you know, for the new year and junk, so there aren’t any around now.” Amy shrugged.

“It’s for the best, Amy. Dearest Kara needs to stop smoking too. Not good for the skin, ya know. I mean, it says it in all the magazines. Anyway, I have hot chocolate – what could be better? Got some from Ricky yesterday. Isn’t he the sweetest?”

Kara and Amy giggled. Ricky was an older boy that Paula had a crush on that bordered obsession but it seemed to be paying off after all those months of work. The girls had to admit though, he was pretty cute.

“Well then, don’t tease the girl, pour her a glass of the cocoa – harlot.”

All three girls doubled over with laughter and it was only that which kept them warm as the temperatures dipped even lower and the wind picked up again. Once in a while a car or truck would pass overhead and shake the bridge and startle the girls into laughter again. After the three had had their cocoa they exchanged stories of their Christmas mornings their minds turned to what they were there to do. The girls cleaned up the mess from the cocoa and moved the blanket to the edge beneath the bridge and were hanging their feet over the small cliff that lead down to the water below. The river was a lie, looking peaceful and easy when all three girls knew that if any of them fell into it they’d be dead before they hit the bend a quarter mile upstream. The river, its edges crowned in ice, was a liar, and each girl knew well the stories that supported this, the most recent involving an old man who had gone after his dog into the water, hoping to save it but losing himself in the bargain. Both man and dog appeared on the banks of the river three weeks later, the man’s arms around the dog and both looking peaceful in death.

Amy shivered and the other two girls did as well, as if from the same thoughts.

Amy looked at Kara in her oversized coat and pink dress and the big winter boots beneath and she was beautiful. She was beautiful because she didn’t know it yet. Her face was just starting a long war with acne and her hair showed the ravages of hard water but it was there, beneath the surface and waiting to bloom. Amy turned her eyes to Paula, who had the bag she had brought with her open and was pulling something free of it. Paula, the youngest of them. Paula with the sad, dark eyes. Paula who was more interested in boys than anything else, even herself. Amy felt her eyes getting wet and made a loud, awkward cough and wiped her face, sad but not sure why. It just felt like with every passing year the three of them were getting further and further out to sea and farther away from one another. Amy’s chest started hurting and her eyes welled again.

“I think it’s time. Are we ready?” Paula asked.

Amy and Kara looked at one another, then to Paula and nodded.

None of them likes this part of them coming here but this was why they were here. This was why they came here every Christmas. They were here because someone had to do this.

They had to do this.

Every year it was a different girl and this year was Kara’s year. It was her time.

Things turned suddenly serious.

“I, Paula, of this tribe of three, give this tool to Kara – may she wield it well and true.”

Paula handed Kara an old hammer the girls had found along the side of the road the summer before they’d started coming here, its body stained with a half dozen colors of paint and its head rusted and bent. For some reason Amy had picked the hammer up that July day and had held onto it, as if knowing what it might become to them. Kara took the hammer and she and Paula bowed their heads to one another and leaned forward and kissed one another upon the cheek. Paula raised the hammer to her brow, then brought it down and kissed it softly.

“To the past, to the present, and to the future of all do I offer this simple sacrifice.”

Paula hefted the hammer up high and pulled her backpack so that it was beside her. The three of them, legs hanging over the cliff and against the cold dirt, were still despite the cold, their breath coming in small puffs. Paula pulled a beautiful crystal fairy from the bag and it took everything she had for Amy not to let out a gasp. Paula had wanted that fairy since she first saw it at the mall back in April and now here it was in her hand and being offered to the altar. Paula had tried all summer to save up enough money to buy the fairy but hadn’t been able to do it, always forgetting she was saving money until she had spent it all. She had asked for it for Christmas but hadn’t expected it, not really. It was a shock to see it, and worse, to see it here.

Amy’s heart sank.

She knew all too well what Paula was going through, as did Kara. This was their fourth year doing this and each year there was a sacrifice, and it was never easy; it wasn’t easy but it must be done.

Kara laid a black brick in Paula’s lap and nodded. The brick was the altar and had been found by Kara beneath the bridge, on the side where the couple had killed themselves. Paula laid the small figure on the brick and took the hammer and closed her eyes. This happened every year and Amy wondered when it happen that the girl wouldn’t be able to go through with it. This wasn’t that day though and Paula took a deep breath, took the hammer in both hands and brought it down and shattered it. Paula let out a sob and closed her eyes against the tears. With eyes closed Paula swept the remnants of the figure away with a mitten and Amy watched as the particles mixed with the falling snow and was lost to the river below. Paula let out another sob and Amy knew that Kara, like she, wanted nothing more than to comfort their friend but this was what they were here to do. This was the sacrifice.

“May this small token pay our way into tomorrow. May it pay for that which we did yesterday. May it keep us safe this in this moment.”

Paula took in a deep breath and slowly let it out and then handed the brick and hammer to Amy.

“I yield these tools to Amy to keep, to watch over, and to protect. May they be well protected and safe. May this next year be a boon to us all.” Having said the words, she released the hammer and brick and Amy took them, nodded, then put them away into the backpack.

“What, what did you give the sacrifice to? I mean, if you don’t mind.”

Amy held her breath. They never, never spoke of what the sacrifice was to, whether the past, present, or future. It was between the person making the sacrifice and whatever they made it to. There was a quiet moment and as the three girls sat a truck rumbled overhead and startled a squeal from them. Finally Paula looked up from the river and at Kara.

“The baby. I gave the sacrifice to the baby. For what it will never have. For what it will never know.”

All three girls looked across the river to the other side of the bridge where there was a small, modest memorial that the girls had built for the unborn child that had died when its parents had killed themselves. Kara and Amy nodded in silent agreement and that was all that needed to be said. Amy felt tears again, something she felt often under this bridge. She remembered coming here in the fall with Kendall Graham, a boy in her grade who had moved away but was in town to see his sister, who was getting married. She had brought him down here and they had kissed and afterward she had cried for hours. Cried at having betrayed their secret place, and having betrayed her friends, and having betrayed the baby that never was.

She thought of what she had in her bag, of the doll she had brought, the last doll she would ever have, and what would be her sacrifice this year. She had begged for it from her mother for weeks and her mother had finally given in and she had gotten it that morning. It was beautiful. A little porcelain thing that was hand painted and had a stunning velvet dress on. She loved it at first sight. She loved it but she owed a debt.

She owed a sacrifice.

She didn’t know why – why they had started this tradition, and why she felt the need to do one this year, on an off year for her – but she knew it was right.

It was right.

She would wait for the girls to leave before she came back, and would sacrifice the doll to the child across the river.

For the girls.

For herself.

For the past, present, and future.

Because it was right.

There was more silence and the snow, which had finally stopped, blew in on them and extinguished the fire. Paula suddenly let out a large burp that echoed beneath the bridge and forced laughter from all three girls and suddenly it was ok again. The ceremony was over. The girls bundled up again, folded up the blanket, made sure the fire was out, and started out for their homes again. They made small talk about what they were all doing for New Year’s, who they thought was cute at school, and what day they wanted to go to the mall to spend their Christmas money.

It was good again.

And while they were slipping further out to sea with every day, for now they were friends. The best of friends. There was that. There was this.

And Amy smiled, though beneath it she knew that she would return later, alone, and would continue to return every year at this time, with or without the other girls. Would return because sacrifices must be made.

Prices must be paid for the things we had, have, and want.

Because even if we ignore them, prices must be paid.

There must be sacrifices

It was was right.

For the past, for the present, and for the future.

MARTYRS – movie review

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MARTYRS

Ah, ya gotta give it to the French, when they go out to make a genre film, they really go all out. Oh, sure, Asian horror will give you the viscera, some guts and goo thrown around and lots of violence that will flip your lid but for all out body bangin’ mind screws you need to head to France. Oh, dear France, how could my brethren be so cruel to you and your foods (American Fries, really?) when you are so wonderfully cruel to the rest of the world through films?

A young girl is lucky to escape with her life from an isolated industrial complex where she was being held captive and mercilessly abused but, while the cuts and bruises will heal, the deepest damage will never be fixed. So begins MARTYRS, a film that doesn’t show its whole hand until the film is half over but, when you begin to see all the cards you will start to see how much damage was done to that young girl in the beginning of the film. Unflinchingly cruel, the film begins as an examination of sanity and becomes one of faith, and along that path we see how large a part pain plays in all of it. To reveal much of the plot is to take away from a film that is about the experience, but rest assured, this is a horror film, in every sense.

This is a film where the fact that it is a horror film does not hamper the film but which serves as the way to tell a dark story of obsession and faith. The direction is strong here, as is the acting, though the cruelty of the film will turn many off. I admit that the way the film plays out wasn’t the most satisfying but see that this was the best way to convey that the characters don’t know exactly what they are involved with, and how bad things really are. Unlike too many horror films nothing is easy here, nothing is spoon fed to you, and the end isn’t something that is walked away from but which is discussed. The film’s violence is over the top, and the scenes of torture could surely have been cut but, again, for impact, we see a lot of things that we may not enjoy seeing. This is not a film about enjoyment though, this is a film about dark, ugly, bitter truth, and as such, it may not be something you fully enjoy, but that is not to say you will not like it. I am not even sure how much I liked the film but it is haunting, and it is scary, and it works in the same way that a film like HOSTEL works in that it shows you a side of human nature we don’t like to see, don’t like to examine, and which most would prefer to dub torture porn.

Friends, torture and porn are not terms which go together, torture porn is a made up term to describe very violent, very dark, very nasty movies in which torture takes place. And while some people will ‘get off’ on the torture scenes in the same way that kids used to flock to the true gore movies, generally, I don’t know anyone that gets much out of seeing people tortured, in movies or otherwise. Thus, it is a BS term to describe a trend in recent films, like dubbing movies with masked killers ‘slasher’ films.

Just saying.

Will you like MARTYRS? Hmm. It is a very good film, a very disturbing film, and an engaging film, but you like JURASSIC PARK, you fear movies like MARTYRS. You fear them because there is enough truth in them to make them all the more disturbing. Well made, and watchable, but not something you watch on a whim.

8 out of 10

Art and Books for sale

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Why, hello there, stranger.

Nice to see you here. If you like what you see around the joint, take a walk over to the right side there ————–> and click on the Stuff for Sale link where you can find all manner of paintings and books I have for sale.

You’ll be glad you did.

whoosh

c

The House of the Devil – review

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THE HOUSE OF THE DEVIL

It is an interesting trend in horror these days, the pull away from modernism and the move towards nostalgia. It is as if the ’80s and ’70s are hallowed horror ground where all the classic horror films were made. While I can appreciate a move towards realism and better film-making, well, the fact is that there are as many bad films as good ones from those eras, or heck, any era. The thing I like about THOTD though is that it doesn’t ape an era so much as capture that feel and use it as set dressing for a very good, very scary film. When you can do that, that is when you understand what you are doing.

In THOTD a young college girl has just gotten a new apartment that is just out of her reach financially and she needs some fast cash immediately. As luck would have it she sees a flier on campus for a family that needs someone to babysit their child. She calls the number and, after getting initially stood up, finally makes the date to meet the family that very night. She saves, she is told, what was a very important night for the husband and wife, and as such, she is paid very, very well for her trouble and time. The girl’s friend gets a strange feeling from the couple though, and that is held true when the girl is told that she won’t in fact be babysitting a child but an old woman, the mother of the wife. She agrees to the job just the same, the money too good to give up, once negotiated, and the friend leaves, set to return later to pick up her friend. The evening passes without incident as the girl makes herself at home but as he curiosity about the mysterious old woman staying upstairs grows, the danger in the house grows, and it becomes clear that she may part of a plot bigger than she could have dreamed of in her worst nightmares.

A very well made film with a lot of atmosphere and a wonderful pace, this is yet another example of someone getting it right. While I am starting to question all these throwback movies, it is great to see someone nail a period but not rely on that. With great acting, a scary premise, and a wonderful follow-through, there is reason this film has generated a lot of buzz. Scary without relying on cheap thrills or gore (though it gets sticky), this is a great, fun movie that would have been a fantastic Halloween release. As it stands, it will become a fan favorite once it reaches home video and will hopefully get even more attention.

9 out of 10

My Annual End of the Year Note – 2009

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We Will Remember The Things We Always Forgot

It’s easy, as the end nears, to focus on the broad strokes, the good, the bad, and the ugly. We see the big events that we think shaped us, the things that could have, would have, or should have shaped us perhaps. We see the fireworks, but not the sky. And in the end, maybe those are the sights we should recall, as the ashes fall down around us, because those are the thoughts that are familiar, are close, and which sometimes lull us to that needed sleep.

Ah, but fireworks, bright and distracting as they may be, are not the things that make us who we are, those are but the highlights that prove out the theory of us. It is within the everyday moments, the stars, that we are made, and it is those moments we owe the most honor.

You see, the end is coming, be it today, tomorrow, or a hundred years from now, it is approaching, and so it is before that end comes where we must focus. You remember the dead, my friends, and you honor the living. So it is to the dead moments that we must remember, and the moments we share now that we honor.

Every year takes more from us than it gives, that is always the way. It takes our time, our life, our sorrow, our joy, our friends and loved ones, and it takes our memories, the most cherished of all our gifts. In memories we can re-live the good times and bad and can spend one last instant with those we lost. The human mind will not suffer us to live in the past though, no matter how much we may want to. No, we are pushed ever forward and old memories are replaced by new ones, making us move forward, and not back. Making us evolve into the person we are still becoming, day by day. Every year takes though, but no matter how much it takes, we still take enough.

We take the day where the sun peeked through the clouds long enough for a stolen lunch

on the grass.

We take the needed kiss that stills a spinning world.
We take the brief visits with friends that remind us we’re special.

We take the time spent with loved ones, before they pass away.

We take the realizations that we are never the person we are at our worst, nor the person

at our best, but someone in between, always capable of better, and always able to do

more.

We take enough to survive, to learn, and to grow.

And so another year is ending, and we have lost – people, things, love, and time – and we have gained the same. And in the end, it is usually the losing that stings the longest and scars the worst. But with every scar we grower tougher skin, and with every year we take just enough to learn, to grow, and to survive. We learn to cherish the small moments, the moments that make life, and us, special, and we learn to survive the dark times that forever threaten to take apart all we’ve worked to build.

But there will always be storms.

There will always be death.

There will always be loss and heartbreak.

And you will survive.
We will survive.

We are built stronger than the wind, stronger than the fire, and stronger than those that

wield fists and words against us.

We are built to survive.

So raise your glass to the year that was, and all that passed through it and helped make you who you are. Raise a glass to the moments we forget and forgot, for those are the ones we perhaps owe the most. And raise a glass to yourself, for still being here to see it through to another year.

Every year takes more than we think we can stand, but we take enough, we take enough, and we survive, and there is glory in that.

So look up, up and past the fireworks and marvel a moment at all the stars.

THE POUGHKEEPSIE TAPES – review

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THE POUGHKEEPSIE TAPES

It has been some interesting movies I have seen of late, and this is definitely one of the ones that sticks out. A movie like, so many these days, serves as a faux-documentary, this is also a film that doesn’t lean on that pole as a means to lie, but as a way to portray the horrific in a different way. This is a film that asks – what if we knew what made a killer? And then dares you to answer whether it matters or not. And in the end, it doesn’t, because sometimes, evil just IS.

And the man in this film is evil.

THE POUGHKEEPSIE TAPES are a series of tapes found by the police that detail the journey of a man from a first time killer that kills out of circumstance to a monster that stalks his victims and plays out elaborate scenarios with them before killing them. The film plays instances from many of the tapes against a backdrop of law enforcement professionals that dealt with the case and families that lost loved ones to this murderer. And against the horror you learn nothing, and that is the most horrifying realization in the film, that even seeing the birth of the monster, and seeing almost every moment of their career, you still have no idea what made them, or how to stop them. And that is the horror. That there may be no real cause, just that someone gave in to the darkness and has spread it outward exponentially.

A grueling and hard to watch film, it is still one that sticks with you. The film is made ‘amateurishly’ but with reason, all the footage from the point of the killer is handheld and rough because he is a killer and not a filmmaker. The documentary material is done well and is believable, in good part because there is a lot of good acting on hand here. This is played straight, horribly straight, and it is hard to shake the kind of monster the killer here is. It is s simple premise that works perfectly, and disturbed the hell out of me.

8 out of 10

ANTICHRIST – review

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ANTICHRIST

Well, if you can say anything about ANTICHRIST it is that it earns every ounce of its controversy. A bold, challenging, nihilistic, and hateful little thing, this is the sort of movie that movie elitists always claim they want but rarely embrace. Well, if you want a self-absorbed director exorcising some nasty personal demons on film (though I would never say this is anything about Von Trier himself, more dealing with the depression that lead to the film) then here you go. But be warned, this is a heavy movie and pulls no punches. This is not about you liking the film, this is about you surviving it.

ANTICHRIST is the story of a couple still passionate enough to have animalistic sex but unable to connect when not sexual. This couple loses their son in a horrible accident while they are making love and the wife cannot forgive herself for his death and spirals into a dangerous depression that her therapist husband must try to shake her from. Taking her from the hospital and back to their home doesn’t seem to help her so he decides that the only way to save her is to make her confront the thing she fears, and in this case it is Eden, the woodland area where they have a cabin and where she would take their son on getaways. Eden though is a dangerous place, a place where nature is in revolt against itself, and where the elements themselves are against the couple. The woman, at times angry and depressed can only burn through these feelings with rough sex with her husband, who wants to save her, and is running out of options. When the wife has a sudden breakthrough it appears she may be ok after all but there is something wrong in Eden, a secret she has been hiding from perhaps herself, and a legacy that begins to exert itself and this place of seclusion may be the final resting place for the both of them if they cannot overcome the danger of nature and the nature of themselves.

It is hard not to give too much away here but truly, the film is in the subtext, and between the lines. The story itself is a harrowing look at loss and despair but beneath is an examination of evil, and the nature of Man and Woman. Brutally violent and brashly sexual, the film is a challenge. It is hard at times to get past some of the set pieces to see the message beneath, and there are times where you are left wondering if Von Trier knew what he was trying to say, himself. There is a dangerous message here, one that says that sometimes people get what they deserve because they deserve it, despite the circumstances, and it is dangerous in this context because there is so much talk in the film about women being killed through history for being women. I don’t know that Von Trier is saying that women should be killed so much as that sometimes in history, the bad DID die with the good. A bold message, if that was what he was getting at. Messages aside, this is a daring film, and is a heady jolt to the horror genre. This is what horror can look like when it is done as art. Not always brilliant but brilliant despite itself, I give it a point for its boldness alone. A must see, but a very, very hard film to watch.

8 out of 10