Interview…

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Brief interview with me is up on the Michigan Times website.

http://www.themichigantimes.com

Article by Annette Wierz

UM-Flint alumnus Chris Ringler promoted his second book “This Beautiful Darkness” at Pages Bookstore Oct. 9.

Ringler was born in Flint, raised in Linden and attended Lake Fenton High School. He attended Mott Community College and then UM-Flint where he graduated in 1997 with a B.A. in English.

When asked about what started him on his writing career Ringler said, “I began writing as a teenager and got serious about it when I turned 18. I published my first book, a book of short stories called ‘Back from Nothing’ in 1999.”

Since then, Ringler has had his work published in periodicals, online and in a magazine.

“I put ‘This Beautiful Darkness’ together with the help of my girlfriend and it came out in July,” Ringler said. “I had always wanted to be a cartoonist but kind of fell out of love with art and in love with writing as a way to be creative, as an outlet.”

This is not the first book signing that Ringler has done.

“I have only done a couple signings, both in Flint, and it’s fun. It’s more fun to do it during Art Walk, and to make it part of a fun event that is more than just something about me. The idea of a book signing for me, and it all about me was just weird, so I wanted to get other people involved and make it bigger.”

Being a writer is just half the battle though, it is difficult to get your story out there in the writing world.

When asked about publication and publicity of his works, Ringler said, “It’s hard to promote anything, for sure, but the book is a challenge. I don’t know that you can fully appreciate how much work you have to put into doing it yourself unless you do. You have to believe in what you’re doing completely, though, and just keep pushing.”

Ringler said it’s important to get book copies into people’s hands. “You have to get the book into stores, into people’s hands, into their friends’ hands. You have to build a buzz for it. And all of that work comes to nothing if the book is no good. The dream is always to find a publisher that will get my work out but until then I will totally get more books out. Hopefully, next year my kids’ book will hit. We shall see though.”

Ringlers’ book, “This Beautiful Darkness” costs $10 and can be purchased by following this link: https://www.createspace.com/3386414

The Opening Night Jitters – a Halloween story

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The Opening Night Jitters

Billy put the last body in place and let out a long breath. It was done. At least his part in it. Beyond the zombies and the skeletons wasn’t his problem, that was Mark’s job, and if Mark was still making eyes at Dani, well, that sir, wasn’t his problem, now was it? Billy got up off his knees and walk to the entrance of the Zombie Walk, his sort of homage to old school horror and modern pop culture. It was the third to last room in the haunt and was a set up for the big finale, a scene where the guests went into a large room with what look like more dummies of dead people but ah, there was the rub, they were not dummies at all, well, most of them weren’t. No, they were people playing dead, or undead maybe, and just when the guests reached the mid-way point in the room and were bellyaching about how fake it was, that was when the dead woke up to play. Oh, it was gonna be great. It was going to be epic, it was going to…

“William, Bill. BILLY! Hey, hey, hey shut it down. Shut it all down. We’re done.”

Billy looked at Nate dumbfounded. Unsure he’d heard him right.

“Yeah, you heard me. We’re cooked. It’s over. There ain’t gonna be no haunt this year.”

Nate’s eyes fell to his cowboy boots and he let out a sigh that blew his mustache out in a puff. He was beat, and it was clear. Billy pushed his hands into his pockets and kicked at the sawdust on the floor of the vampire room. This was one of the last rooms left that needed some work but it looked like it would never…

“Well, what if I, hmm, what if I could, you know, fix things, make it work?”

“Whatcha mean Bill? How ya gonna fix things?”

“Well, Nate, you just gotta trust me. Open it for one night, say, next Friday, and if that night ain’t a success then, well sir, you can shut the haunt down for good.”

“Damn, Bill, that’s still a couple hundred bucks of pay I gotta give people. And what do you want out of it all?”

“See, the beauty is that I will take care of things. I will get, uh, I will make sure the haunt is running, has, uh, is, uh, well, that there are scares, and all for a very low price.”

“Crap, Bill, what do you want? Spit it out.”

“Well sir, I had my eye on a new snow blower, say that Magnum 600 PX they got in at Wanger’s Lawn Care, and well, that seems pretty fair to me.”

“Dammit that’s, well, that’s…”

“Trust me Nate, just trust me.”

And Nate stood looking at Bill and scratched at his beard, wondering if there were still some crackers from lunch left in there, then he realized he was supposed to be thinking about this proposition. He had known old Bill for some three years, and the fella had worked for him for two of those three and, while his work on the haunted house wasn’t that great, well, he was spirited when he scared people, and that went a long way. Heck, he knew old Wagner and could get the snow blower for cost, which was less than the two hundred it’d take to run the haunt for the night so, well, it seemed pretty clear.

“Well Bill, I think we’ll just stay closed, yeah, that’s it.”

“Dammit Nate. Ok, gimme a six pack of Proctor’s Finest and I’ll do it. If it works, you owe me that blower. Deal?”

“See ya next Friday, buddy. Remember to lock up at night.”

Billy spat as soon as Nate was gone, the old fella’s fingers digging in his beard again for forgotten foods. Billy was mad, sure was, but, a sixer of Proctor’s wasn’t anything to fart at and, after he had the locals wetting themselves over the haunted house next Friday, well, he’d be blowin’ snow in style. Yes. Sir. Satisfied, Billy went off to get himself a cool one and see what the local ladies of the evening were up to ‘round this time of night.

The week passed like this for our Billy. He’d wake up at noon, wander in to work at the convenience store, get hollered at by his aunt, the owner, then leave from work and head right to the bar and, if he was lucky, wake up in some strange woman’s bed. It wasn’t until Thursday night that he remembered he was supposed to be working on the haunted house.

Oops.

It was ten at night and Billy was more than a little buzzed as he stood in his aunt’s basement peeing into the corner. This certainly wasn’t how things were supposed to work out, no sir. He had planned, back when he was talkin’ all big thunder to Nate, that he was gonna pull out all the stops on the haunt and really do the place up, really put some work in to it, and sure, he might borrow and idea or two from some of the other haunted attractions in the area but, you know, finders keepers. Well, he let himself get distracted, like he always did, and, well, that was sorta that. Billy finished peeing and stood wobbling a moment, the room sort of spinning as he tried to focus and that was when he saw it. The book.

The book looked to be one of his aunt’s weird old photo albums she always had sitting around the house, or maybe it was one of the weirder cookbooks she said came from ‘the old country’, but which for him was code for something that came from a re-sale shop but this didn’t seem like the other smelly old books his aunt had around. No, the other ones didn’t really glow when you peed on them, not that he could tell at least. Billy hiked his pants back up and belted them and stumbled over to the book, which he kicked. Sparks flew from the book as soon as the kick landed and Billy laughed and kicked it again, which made more sparks fly from it as it opened to reveal its insides. Curious, Billy knelt and squinted to see what secrets the book held.

Would it tell him out to make gold?

Perhaps it’d tell him how to win the hearts of beautiful women.

Oh, maybe, just maybe it’d get him that awesome speed boat he wanted.

Nope.

The book told him none of that, only revealing, in a list that really did look like a recipe, how to summon the dead to do one’s bidding.

Bah, what good…

Billy tilted his head to the side.

Hmm.

It took a moment but it hit him all right, and hit him hard.

Oh yes, it hit him, and so he grabbed the book up, brushing the dampness onto his pants as he did, and stumbled towards the worktable his aunt kept beneath the giant pentagram and the jars of body parts.

Once Billy had gotten the lights on and the book open, he did something he only did when he was alone and unwatched – he read.

Billy had sobered up by the time he made it back to the haunted house but he felt pretty rough, a big part of that coming from the book he had found, which had turned out to be a sort of How To guide to getting up to mystical mischief. From the look of it, his aunt, or some other witchy lady had been up to lots of shenanigans, or at least had some planned, what with all the stick ‘em notes littered through the thing. Billy knew the book was old because it had the same smell his grand dad had and, like pee and menthol cigarettes. Billy, still well into legally alcoholic, flipped through the book, not so much reading the passages as looking at the pictures, which sent shivers down his spine. That was when he got the idea – what if he could get some of these fellas into the haunted house that night. If he could figure out how to get these guys to show up, and could sort of command them then there still might be a chance he could get his snow blower.

Maybe he was drunk, but Billy smiled and started gathering supplies.

The easiest thing for him to have done would have been to just ask his aunt for some help but no one likes to do that, especially Bill, who thought his aunt might have some problem with conjuring up the minions of the abyss to do his bidding. She could be a bit of a bitch like that. So instead of asking, Billy just sort of, well, took her book, and most of her witch supplies, put them all into his duffel bag and headed towards The Gray Wizard’s Pirate Revenge, Mark’s haunt. It was a stupid name, to be sure, Billy just thought that wizards were never pirates, and didn’t think anyone else would buy it either. Oh well. Lugging the bag and its contents the three miles to the haunt was no fun, and was made less so with the downpour he had to walk through but it would be worth it in the end when he got that sweet snow blower. Billy bumbled his way into the haunted house and set the alarm off, which was luckily just a set of rusty wind-chimes that were set up in the back entry. The sound echoed in Billy’s head and started his guts churning so he sat heavily onto his but, and let the room stop spinning as he pulled the supplies out of the bag. He lined up the jars in a row and then pulled the book out last, which didn’t really smell that bad anymore; it had an odor that was sorta like spice or something. He looked at it and didn’t see any page markers. Well, that’s ok, they must have fallen out. He dropped the book onto the floor and opened the book. For some reason he was looking down at a picture of a meatloaf. He turned the page and it was a picture of chili. He turned twenty pages and it was a picture of guacamole. Billy closed the book and looked at the cover. Oh dear, sweet Lucifer’s corns, he’d grabbed his aunt’s cookbook. The book she’d written in the sixties when she had still wanted to be a famous chef and not a famous witch.

Oh god.

Billy’s heart sank.

He looked down at his watch, saw it was half past five in the morning, and it sank lower. He looked in the duffel bag and saw nothing but some old corn chip leavings and a dirty sock. His shoulders slumped and he felt like he wanted to cry. He looked at the jars lined up and saw the eyes were watching him, the ears were listening to his sobs, the noses were smelling the stink of his failure, and the, well, let’s not talk about what was in some of those others jars.

Ah, but Billy was not one to give up easily, not when a snow blower was on the line.

Billy stood up clumsily, hitting his head on a low hanging light as he did, and ran over to a mock work table that was in the room. He grabbed the plastic bucket that was on it, dumped out all the fake guts onto the floor, and ran back to where he’d left his supplies. He placed the bucket onto the floor and began dumping the contents of each jar into it, and when he’d emptied all seven jars, he threw in the corn chip dust, the dirty sock, and spit in the concoction for luck.

Now, for the secret, magic words that would create a horrible, evil creature to do his bidding.

“Shop…at…Salamander’s…for savings…and more…and…uh…uh…come forth…uh…evil spawn what does…my biddin’…to get me my snow blower….thanks”

Satisfied he sat back down onto the cement floor and waited.

Ten minutes passed and nothing happened.
Twenty.

Thirty.

DAMN!

Billy stood up and kicked the bucket over in a rage. What use was magic and evil if he couldn’t use it for personal gain? Ah, but when the bucket was kicked over, something started to happen. Thick, red smoke rose from the steaming pile of muck on the floor. The light in the room grew dim. And suddenly, Billy had to pee. Something moved in the goo on the floor, it moved again, and then it began to take shape and rise from the mess.  A small form rose from the floor, the concoction forming and taking shape until before him stood something four feet tall and gray. Features quickly formed on the thing and, as it took shape, he realized the horror he had summoned and sensed the evil that would be unleashed. He took a step away from it as it came into full focus and took its first infernal breath.

Standing before Billy was a ten year old girl with long blonde hair and wearing a fashionable dress and black paten leather shoes. She looked around the room, looked at Billy and then smiled.

“You smell weird. And you’re fat.”

Having said this the girl skipped away from him and off into the haunt. Just as he was letting his breath out, the girl stuck her head around the corner, smiled again, put a finger to her lips and shushed him before disappearing again.

Billy let out a scream and ran.

Twelve hours later he awoke and realized the terrible thing he’d done and ran to the haunted house.

There was a line outside the place, which opened at seven, which was only fifteen minutes away. As he passed   the people in line he caught the buzz – they had all heard something truly horrifying was going to be on store tonight and they were in. They had to see it. Had to experience it.

FOOLS!

Billy picked up his pace and, seeing Mark at the head of the line, broke into a run.

“Mark. MARK! Ya gotta shut it down. Bring it all down.”

“What’s going on Billy? What’s wrong?”

“I, I did a terrible thing. The haunt, the haunt it’s…”

Nate walked up on the two men, shaking his head at Billy.

“Look Bill, I knew when you talked me into that crazy scheme of yours that you wanted that snow blower bad. Real bad. I never realized though how far you’d go to get it.”

Billy’s heart sank. But at least he was in time.

“I am so sorry Nate, really, I am…”

“Sorry, hell, boy, you should be. That was the scariest damn thing I ever seen. Great goose gravy. I mean, you go in there, waiting for something to happen and nothing happens. Nothing happens in any of the rooms and the tension just builds and builds and builds until you can’t take it and then when you get to the very last room you find it. She’s sittin’ there, all crossed leg and nodding her head back and forth and humming to herself and you go into the room and she just looks up at you and tells you all your flaws and faults and tells ya, basically, what a big, fat, turd you are. And I heard that and ran out with tears in my eyes. It was the scariest thing I ever saw. You are a genius. A horrible, horrible genius. And you’re gonna make me…er, US rich.”

Nate smiled a wide smile, showing his bleeding gums.

“So, you, uh, liked it?” Billy asked.

“Like it, I LOVE it. It’s genius. And you can tell the kids are excited for it. Man. I wish you woulda thought of this sooner. Coulda had yourself TWO snow blowers.”

“You mean I still get the snow blowers?” Billy asked.

“Hell yes. And with all these customers, everyone gets to stay on to manage the line and sell concessions and crap. Hell, you saved the business, buddy.” Nate clapped Billy on the back, and as he did, so did Mark.

Billy smiled and felt a little wobbly. His head was full of possibilities now. A door had opened, a big, evil door, and the world was his. He could do anything now.

Anything.

“Whathca thinkin’ Bill?” Asked Dani, who had joined Mark and Nate.

Bill wickedly.

“I think…I think I am going to become…a snow blower this winter. Imagine all the loot I can make with that new blower I am getting. Man…I will be rich. RICH!”

Off in town the church bells rang and the crowd let out a cheer.

It was seven.

Haunting time.

And time for the screams to start.

of Shadow, Of Light

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When I was a kid, I did art all the time. I loved it. I dunno that I would say I was good at it, necessarily, but I loved it. It wasn’t until I was a teenager that I started to do anything with writing and, when I was late in my teens I gave up on seriously doing art and focused on the writing. It remained that way until about three and a half years ago when I started to paint and got back into art again. Since then I have slowly been getting more and more in touch with my inner art nerd again. Saying all this though, I have never necessarily been taken seriously when it came to my art.

Not that I have been this epic artist that is being overlooked by the world. I mean, my friends and some others have appreciated what I have been doing but I would never say people took my art seriously. I am hoping that the first big step towards being taken seriously will be this weekend. I was invited to take part in an art show here in Flint and am hoping people, like it or dislike it, consider it. When I was approached about it it was as writer, the thought being I could do a reading or something but that just seems boring, and I wanted to do something that would challenge me and would be just, more. I struggled with what to do and came up with this project. It encompasses my writing, my art, and my photography, and captures the dark side of things that I like so well.

I am posting pictures of the art and then the text below it.

IMG_2865IMG_2866IMG_2867

Of Shadow and Of Light.

I remember being a kid, maybe ten, and sitting in yet another doctor’s office as people in white decided what would be best for me without talking to me. They never really talked to me, not after mom and dad, well… I remember sitting there and looking out at the other children playing, out in a nearby park, and I caught a reflection of someone in the room with me, another child, and I spun around and there was no one there. But I felt better, because I knew they had been there. I had seen them. And knowing I wasn’t alone left a warm feeling in me that hadn’t been there before.

But it faded, and over time I questioned if it had ever existed.

Then I met you, and knew that warmth again.

I had spent so many years alone, in hospitals, in foster homes, never connected to anything.

Never connected to anyone but my own reflection.

Now I have you.

I have you.

Thank you.

Hey.

Just wanted to say hello.

I am so lucky to have you in my life.

Thank you.

You have saved me.

Hi.

I miss you.

Going to bed. Thought you were going to message me tonight.

Hmm.

Miss you.

Do you know how much I love you?

Need you?

I wonder.

You are my true north. My heart.

Why haven’t you called?

Did you forget me?

Did someone kidnap you?

Is there someone else?

HAHA.

Call me.

Please.

Saw you earlier. You must not have seen me. You were talking to someone. They looked nice.

Who was it?

Saw you online but you didn’t message me.

Did I do something wrong?

Please talk to me.

Please come back.

Please.

Please…

So this is it?

This is how you end it?

This is how you end things?

You don’t even talk to me?

What did I do?

What did I do?

If you do this I will hate you.

I hate you.

I never thought I could come to hate someone as much as I hate you.

How can you do this to me? How can you do this?

They were right, you know.

All of them.

You are sick.

SICK.

I never wanted you in the first place. You were never good enough.

You’d never be good enough.

HATE YOU

HATE YOU

HATE YOU

HATE YOU

HATEYOUHATEYOUHATEYOUHATEYOUHATEYOUHATEYOU

Maybe it isn’t you.

Maybe it’s me.

Maybe I didn’t earn your love.

Maybe I didn’t deserve it.

Is that it?

Is that what happened?

Love, they say, is sacrifice.

I am willing to sacrifice for you.

To you.

I will prove to you how much I love you.

Even if it means my blood.

I will show you how much I love you.

I will show you.

Are you watching?

Do you see me?

I wonder if you know how much I need you.

I wonder if you care.

I wonder if there is more that I can do.

To make sure you’re really there.

I love you so much.

I would die if you left me.

I hope you know that.

I can’t lose you.

I dreamt of you again last night.

You were waving at me from a mirror and I couldn’t reach you.

I couldn’t hear you.

I didn’t know what to do so I broke the mirror.

I woke up and you were lying beside me and everything was ok.

Everything was ok.

It was a dream.

It was just a dream.

Hi, how are you doing?

Haven’t really heard from you for a few days.

I miss you.

I really miss you.

Send me a message or something.

I miss you.

Ok, it’s been a week, what is going on

Look, I forgive you. It’s ok. Just get back to me.

Where the fuck are you?

Where are you?

WHERE ARE  YOU?

I hate you.

I hate what you’re are doing to me.

You are killing me.

You are killing me.

YOU WILL LOVE ME.

LOVE ME!

LOVE ME

LOVE ME
LOVEMELOVEMELOVEMELOVEME

please

please…

MEMORANDUM

From the Desk of Dr. James Higgins

RE: Mazdai case

Dr. Kendrix, I heard about  your recent health issues and do hope you are feeling better. There has been a nasty bug going around this season.

In regards to your questions on the Mazdai case, I can appreciate your interest and will send my files. I cannot give you any more insight than you have, I am afraid as the parents pulled the child out of my care at age eight, but it was clear that there were signs of trouble.

I can recall an instance where the child, having been left alone while a few of us were discussing the case, began speaking to himself and, while he didn’t respond, he would nod once in a while, as he spoke to his reflection in the window. I asked him about this, who he was speaking to and he looked at me, smiled, and told me no one.

I am sorry to hear that this has happened to the boy. I remember him as very sweet. Distant, but sweet. His poor parents, I cannot imagine what they went through before that accident took them. It is a credit to them that they made sure to sign the waivers and to leave the boy with enough money to make sure he was taken care of for his life.

I wish you all the best with this case.

Not sure if my recollection helps but, this is surely a sign of the duality that you mention in the case file.

Wishing you good health.

James Higgins.

ATTACHEDMazdai casework.

MEMORANDUM

From the Desk of Louise Kendrix

Dr. Higgins, thank you so much for the files and the instance you mention. It is very interesting, to be sure. I am honestly stumped as to what has happened to begin the episode that ended with such violence against the self – self mutilation has always been something that unnerved me and in this case the ferocity of the mutilation is something I was not prepared for. I think it is clear that this all began when Mazdai was a child, but, truly, when, is the big question, and why. As big a question as, well, why this all ended so abruptly. It is possible that the attack jarred the psyche in such a way as to heal the initial emotional schism that created the dual personalities, if there ever were two. To read the many letters, to see the tokens of love, read the email messages (something I am still confounded by, that he set up two e-mail accounts, one for each persona, that is just, again, surprising), well, it leads one to believe that there really was a physical object of obsession.

I am truly heartbroken over this case. He went to such great lengths to isolate himself, to distance himself, tearing asunder every bit of work that was done to socialize him as a child, and when the walls he built fell, well, he was buried beneath it.

Let’s pray we can dig him out in time to save him.

We have Mazdai in a controlled and safe environment, perhaps similar to what you had for him when he was a child, and while he is withdrawn and silent, he seems to be stable. This is a case that will take a great long time to understand and to help the patient through, but we are determined, no, I am determined to see it through.

I will not give up on this boy.

I can’t.

Thank you for your files and insight.

I will be in touch.

Yours,

Louise Hendrix

PS – I am feeling much better thanks. Just a flu.

I am so sorry.

I am so sorry.

Come back.

Come back.

Don’t leave me alone here.

Please.

Please….

dont leave me alone

I can’t be alone again.

I can’t be alone.

Don’t leave me.

dont

The Fear of Clowns – Version 2

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Here is a bit of an experiment and a bit of a glimpse into how my mind works.

I really like this story. There is something about the idea of burning clowns that just clicks for me. As much as I like it though, it felt like it could be better. More effective. This is my attempt at working out the kinks. Version 1 has several monologues by the Father Clown. He essentially tells you the story behind the story. And I like that. But it feels out of place, and it just feels like he, and the story, is more effective with no spoken words. With actions instead, which is how a clown is most effective – through deed, not word. So this is my attempt to tinker with the story to see how it works. I like it, but am not sure I like it better.

See for yourself.

THE FEAR OF CLOWNS

As dark as the night was, the smoke coming from the fire was thicker, and blacker, and blotted out the sliver of moon that hung low in the sky. The moon watched things more closely on Halloween night, and watched keenly, and tonight there was much to see. The man, well into his middle years and groaning with every movement, leaned into the fire and spat and listened to it sizzle as it bubbled atop the once red nose. The nose was quickly losing its shape and pooling with the rest of the mess under the makeshift bonfire he’d made. He stood in the center of a clearing that was lit only by the fire and where he had set up a colorful tent towards the trees. Along the tree line he had hung balloons that were hanging low in the cool air and which nodded to one another as if in agreeing on something secret. Deep in the woods something moved and he spun around to see what it was and saw only darkness and turned back to the fires. It wasn’t time yet for what he was waiting for so whatever else might be moving out there didn’t concern him.

The fire did though.

In the fire the clowns were mess of rubber and greasepaint and one of them, the fat one, was still kicking at the bottom of the pile. The fat one’s leg slipped from the fire and its ridiculous yellow shoe tapped in the dirt and the man frowned and picked up his shovel, intending to cut it off but the foot stopped moving before he could get there and the flames caught up with the forgotten limb and swallowed it. A log gave way and the bodies and they all sunk a foot lower into the pit and the muck there that refused to catch fire. One of the clowns rolled onto its side and its dead eyes fell on the man and he couldn’t help but stare at it for a moment, caught within the emptiness before he broke the gaze and spat into the dirt and splashed lighter fluid onto it. He dropped the lighter fluid and shovel and went over to his lawn chair and sat heavily into it, the seat sinking under his weight and stopping only when it bottomed out on the ground. He was miles from town but still watched the woods to make sure no kids were fooling around out there and that no one else had noticed his fire. This was one of the clearings that had been made some fifty years back when people still were still trying unsuccessfully to log this part of the forest and nothing had grown here since then. The area was just barren and beaten down and was a perfect place for a fire.

A perfect place for a circus.

The man watched the clowns burn, the ten of them collapsing one by one atop one another, their make up running white then red, their satin and silk jumpsuits crackling and once in a while their noses sounding off before popping altogether and melting with the rest. There was more noise in the woods and he ignored it again. He’d heard the stories that these woods were haunted and it wasn’t that he didn’t believe what he’d heard but more that he didn’t care. Whatever was out there could stay there, and he’d stay where he was and hopefully that would suffice. He had been coming here for a good long time, the power here too strong to deny or find elsewhere, but so far he had had no trouble, and that was how he hoped it’d remain. The sound had put him on edge though and he stood up and looked over at his tent and wondered if it was too early for the scotch he’d brought with him. He scratched at himself, first his belly, then his crotch, and looked down at his arms and at how hairy they were, like his father’s arms had been, and his grandfather’s arms. He had their arms, yes, but he had everything else that was theirs too, and he laughed a sad, cold laugh that floated off into the woods and disappeared. He moved over to the fire again and the clowns were just bones now and the fire was getting low. He stared into the dying embers, felt something heavy in his chest and pushed it aside and looked for movement in the pit that wouldn’t be there yet, not quite yet but looking just the same. He heard another sound in the woods, as of something approaching and he smiled and pulled a small jack-knife from his back pocket. That was for him, that sound. He pulled the blade open with his eyes still on the fire as the last of the flames seemed to fall down into the embers that glowed with secret knowledge and as soon as that happened he sunk the silver into his palm and held his hand over the pit which sizzled as soon as his blood hit it.

The man stood straight and lifted his arms over his head and cracked his neck, then his back and then he cleared his throat. The man put his hands on his hips, closed his eyes, and opened his mouth and let out a long, deep laugh that filled the woods. He took a breath and did it again and, satisfied he muttered something under his breath to the darkness and took a step back from the pit.

His eyes were keen on the embers and beneath them, watching for movement and in the woods there were more sounds and he smiled. His hand stung as the blood poured from it but once he had sewed it up it would scab, it would heal, and eventually it would scar, as the rest of him had scarred over the years. The holiday took a lot out of him every years but it was worth it, it had always been worth it. There came a sudden sound like a loud sigh and the fire suddenly seemed to go out a moment and the night pushed in closer as the clearing was sent into complete darkness. The man pulled a mask free from the waist of his pants and slid it over his head and adjusted it He closed his eyes and in that blackness he felt the heat of the fire rise, saw the light of it through his shut lids, and when he opened his eyes he saw the world no longer as a man but as something more, something less – seeing everything as something old and dangerous. Around him Halloween was winding down but for him, things were just beginning.

The woods were full of the music of arrival and the fire raged at the night and within the flames there was movement. He got to his knees, his body groaning, his back moaning, but he smiled past the pain, past the weakness from the blood that he’d lost, and past the chill that was creeping into the night. The movement became substance, became form, and from the now roaring fire crawled the small form of a child, an infant dressed in a blue satin jumper with red buttons on it and on its face was painted an expression of indifference. The baby pulled itself free of the flames, unburned and unharmed, and began crawling towards the man. As it left the ring of the bonfire another child began to emerge from the flames, this one a girl with her face painted red and gold and with a look of anger, and as she was free a final child crawled out of the fire and this was another girl done in black and white makeup and with a look of surprise painted on her face. The three children crawled to the man and he laughed a great, deep laugh and as he did, so too did they, their laughter coming in short bursts that came first as coughs, then cries, then full throated howls of laughter that sprang through the woods.

The noise in the woods rose to a great clatter of snapping twigs and breaking branches just as the babies made it to their father and from the darkness shapes appeared. Out of the woods arrived more children, all of them dressed as clowns, none older than a teenager, and all of them silent as they emerged. Each of them was dressed in an elaborate or shabby fashion depending on how their faces were made up and each was done to look different than the others so that together they formed a circus macabre. The children left the ring of trees and walked into the clearing and towards the man, who stood up and smiled beneath his rubber mask, its bulbous red nose and thick red lips shining in the light of the fire that was beginning to die again.

The children gathered in a loose circle around the man in the rubber clown mask and then were still. The man spread his arms out and told them one and told them all – “From ash did you come – from ash will you return. From paint are we born, and through paint do we live. And from pain…shall we make joy.”

He said the words as he had said them for twenty Halloweens and the children, all of them quiet as he spoke, looked at him in silent reverence. Having said this, the man knelt down and touched each of the babies on the forehead once, a light, tender caress, and as he touched them there was a faint blue light that went from his hand to their head and with that each of them slowly pushed themselves so that they knelt, then stood, wobbling but standing, and with every passing moment they grew another inch.

The man grinned down at his babies, then up at the rest of his children and spread his arms wider, nodded, and the children came closer.

The father clown looked around at his children and nodded at them all. They moved a step closer to him and he spread his arms out and gestured to the forest. The children turned and looked out into the forest, then back to their father and nodded. The father nodded and pointed to his children and then to the woods and they nodded to him. The man touched his heart and then nodded to the children, and then pointed to the woods, and they looked again from him to the woods then turned back and nodded. He patted the heads of his babies and knew they were ready. They were ready for another year. The father took in a deep and began laughing and within a moment the children joined him and the woods were full of the sounds of the black carnival. The clowns laughed for five full minutes before the father stopped and his children followed his lead and all was silent again. The father clown nodded to his children, clapped his hands together, and then held his arms open wide. The children quickly gathered together and made a line and walked past the man one by one, touching his hand as they did and then touching the heads of their new siblings before they headed towards the darkness and the world, each in their own direction. The infants were the last ones left and they were toddlers now and the three of them reached up to touch their father’s hand and he looked down at them and laughed and patted them on their heads. He shook his head to them and wagged his finger and then sullenly nodded their understanding.

This was not their year.

Not yet.

Their time to enter the great big gray world would come, one day, and then they could join their brothers and sisters in sharing the laughter of their kind. Some day, one day, they would bring their joy to the world and would swallow the darkness and trade it for joy. But for now they would wait, and learn, and through it all they’d laugh.

The toddlers wrapped themselves around the man’s legs and watched as the last of their brothers and sisters, the last of the clowns, were lost to the darkness.

The man suddenly let out a small cry which startled the babies, remembering he had forgotten something, and he called out to the woods – he took a deep breath, the deepest he had taken, and let out a long laugh that pushed deep into the darkness. He finished his laugh and nodded to himself and waited for a reply.

There was a long moment of silence and then the father clown got his answer.

There was the echo of laughter in the woods after that, somewhere off in the dark, but it too faded and the man was left alone with his three babies. The fire died out completely and the man clapped his hands together and the balloons all began to glow dimly with green light that illuminated his camp and the man made his way towards his ragged big top and the children followed, wobbling after him. The man stopped at the entrance to the tent and jumped into the air and spun around so that he faced the babies, who looked at him with their mouths wide. He honked the nose of his mask three times at them and the children started to laugh and he joined them then turned and headed into the tent. They would remain there a week, and by the time they left the woods the babies would be a full two feet taller and it never ceased to amaze him how quickly they grew up. But for now it was time for rest and sleep, for all of them. It had been a long year and a new one had just begun and there was much to do.

So very much to do.

But through it all they’d laugh.

Oh how they’d laugh.

A Peek Into The Process

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I found a couple of the early cover ideas I had for This Beautiful Darkness and figured I would share them. My notion of the cover evolved with each drawing but the idea was to show a girl that either emitted or was emerging from darkness and casting it. My idea was to show a beautiful darkness.

For me, the cover came together with every tweak. I wanted to do a more detailed cover but realized that, by simplifying it, that the main idea came out more and wasn’t lost in the details. I have used that tact before on the cover to Back From Nothing and with the chapbooks I did and it was effective. For some reason I work better when I can sorta sketch out an idea and then refine it, at least with art, though that was a way that I got a lot of stories to come together as well.

I am posting the early cover ideas and then the final cover. So here you have them, the early sketches and then what they became.

Everyone’s a Critic

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Ah, I live in a funny place, this Flint.

I love it here, loved it enough to move here four years ago and become involved in the arts here. Loved it enough to stand up for things when I see something wrong. And there is the rub. Flint is, as well known as it may be (though most of what is known is hyperbole and exaggeration), is a pretty small city. We are rebuilding, are growing again, but for now, we are small still. And being a relatively low income city, there isn’t a lot of love for the arts on the whole. Oh, we have arts, and some amazing venues and artists, but the arts, the Arts, are seen as a luxury many cannot afford and are not that invested in. I did my part to help change that and will be so bold as to say that we, my friends and I, made a difference on that front. But with a city this small, with such a small arts community, you have to be careful. Careful not to make too many enemies (which is sad and petty but, as a friend put it, if you wanna do shows here, you can’t make enemies with the people that run the galleries), and you can’t piss all over the artists.

Which is where things get funny. A local free paper that appears to be a political paper, ran an article that was a terribly biased and 0ne-sided criticism of the one alternative gallery we have in Flint. I have not always agreed with this gallery, and I have had my distinct disagreements with the gallery but, I like to think I am fair in what I said and, ya know what, I never wrote a damn article about them that went into a paper as NEWS. So, reading this article I felt compelled to speak up and wrote a letter to the paper and got a very gracious email back thanking me for the letter, which they printed.

Pretty classy move.

Well, until that is the recent issue, where a local poet took me to task for standing up against biased journalism. According to the commentary, I was upset that someone was criticizing art, which is not any part of what I wrote, but which the writer used as a jumping off point to talk about, uh, I think having thin skin regarding the arts.

Aside from missing the point of my email, and well, writing a boring article, it is pretty much a rubbish opinion piece.

See, here’s the deal, I totally agree that art should be assessed and dissected and, I guess criticized. My thing though is that most people cannot do this, at all. Most people criticize the person WITH the art, whatever that art is, and I know I am guilty of it too. But if you are going to play the critic you have the responsibility of what you are doing and the power it holds. I mean, I wanna read a movie review. I will glance at record reviews. Books and art reviews I could generally care less about, though Entertainment Weekly did clue me to some hip writers back in the day. You bring so much baggage with you when you review something and you have to make sure not to take out any issue you have with the art on the artist, because, you know what, they have the same right to do the art that you do to criticize it, and in a town with so few active artists, it seems silly to denigrate the few that  are here. Just like, I mean, with so few active poets, it seems silly to call them out and make them feel stupid.

As artists, we (and i hate saying i am an artist, FYI, because i don’t feel like one) have the responsibility to thicken our skin and not get angry and upset when people don’t dig what we are doing. Hell, I have gotten some awful reviews and, it sucks, it will always suck, but that person didn’t get what I was doing, and that is fine. And maybe it means I need to work on HOW I do what I do. But I know I don’t like getting shit talked about me, and at least with my ‘art’ I can differentiate that and me.

Alas, most critics are not so great that that.

So, is art that is left to its own design valuable? Yes. Even awful art is valuable because it may touch SOMEONE. Criticism is the leech on the body of art. Now, many times that leech is more of a sybiant relationship. Generally though, really, critics are rarely very good. Especially in this city.

Ah, but as artists, and I hate calling myself that because it sounds pompous and I don’t FEEL like I do art, but whatev, we have to grow thicker skin. We have to accept that not everyone will dig what we do. We have let those critiques go or see if they have a point. We need to continue to grow as artists and go from there.

For now though, there isn’t a lot of valuable art criticism in this town. Sorry, it’s the truth.

Now, do we need criticism for art to be of value? God no. Not at all. Art, even poorly done art, is valuable in some way. The same cannot be said of most criticism. At its most potent, criticism gives you a bearing, a guide to what something is, distilling it down and giving you its essence. At its worst it is a hammer against glass.

Art needs to be sheparded, especially in an economy with little money FOR the arts and especially in a city where there are few art options. This doesn’t mean we need to act as if we are all children with low self esteem but, until people can take things and separate them from the person that did them, maybe we don’t really need that critic to tell us how good it is.

It is helpful to have a tourguide sometimes but sometimes the most valuable adventures, in life and in art, are the ones we take unguided.

Just saying.

c

The Meep Sheep

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The Meep Sheep

And there

Up in the sky

I saw a dream of Hope

And smiled

From

Darkness

Doubt

Despair

The came.

They are –

Sunshine

Laughter

Daffodils in rain.

I saw them in my heart and the shadows fell away.

And I smiled to see them

Knowing –

Had I eyes I could see them

Had I ears I could hear them

Had I heart I could hope

And had I me, I had them.

I dreamt of hope and found my Meep Sheep.

They dreamt of me and Found their home.

The Fear of Clowns – a Halloween tale

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THE FEAR OF CLOWNS

As dark as the night was, the smoke coming from the fire was thicker, and blacker, and blotted out the sliver of moon that hung low in the sky. The moon watched things more closely on Halloween night, and watched keenly, and tonight there was much to see. The man, well into his middle years and groaning with every movement, leaned into the fire and spat and listened to it sizzle as it bubbled atop the once red nose. The nose was quickly losing its shape and pooling with the rest of the mess under the makeshift bonfire he’d made. He stood in the center of a clearing that was lit only by the fire and where he had set up a colorful tent towards the trees. Along the tree line he had hung balloons that were hanging low in the cool air and which nodded to one another as if in agreeing on something secret. Deep in the woods something moved and he spun around to see what it was and saw only darkness and turned back to the fires. It wasn’t time yet for what he was waiting for so whatever else might be moving out there didn’t concern him.

The fire did though.

In the fire the clowns were mess of rubber and greasepaint and one of them, the fat one, was still kicking at the bottom of the pile. The fat one’s leg slipped from the fire and its ridiculous yellow shoe tapped in the dirt and the man frowned and picked up his shovel, intending to cut it off but the foot stopped moving before he could get there and the flames caught up with the forgotten limb and swallowed it. A log gave way and the bodies and they all sunk a foot lower into the pit and the muck there that refused to catch fire. One of the clowns rolled onto its side and its dead eyes fell on the man and he couldn’t help but stare at it for a moment, caught within the emptiness before he broke the gaze and spat into the dirt and splashed lighter fluid onto it. He dropped the lighter fluid and shovel and went over to his lawn chair and sat heavily into it, the seat sinking under his weight and stopping only when it bottomed out on the ground. He was miles from town but still watched the woods to make sure no kids were fooling around out there and that no one else had noticed his fire. This was one of the clearings that had been made some fifty years back when people still were still trying unsuccessfully to log this part of the forest and nothing had grown here since then. The area was just barren and beaten down and was a perfect place for a fire.

A perfect place for a circus.

The man watched the clowns burn, the ten of them collapsing one by one atop one another, their make up running white then red, their satin and silk jumpsuits crackling and once in a while their noses sounding off before popping altogether and melting with the rest. There was more noise in the woods and he ignored it again. He’d heard the stories that these woods were haunted and it wasn’t that he didn’t believe what he’d heard but more that he didn’t care. Whatever was out there could stay there, and he’d stay where he was and hopefully that would suffice. He had been coming here for a good long time, the power here too strong to deny or find elsewhere, but so far he had had no trouble, and that was how he hoped it’d remain. The sound had put him on edge though and he stood up and looked over at his tent and wondered if it was too early for the scotch he’d brought with him. He scratched at himself, first his belly, then his crotch, and looked down at his arms and at how hairy they were, like his father’s arms had been, and his grandfather’s arms. He had their arms, yes, but he had everything else that was theirs too, and he laughed a sad, cold laugh that floated off into the woods and disappeared. He moved over to the fire again and the clowns were just bones now and the fire was getting low. He stared into the dying embers, felt something heavy in his chest and pushed it aside and looked for movement in the pit that wouldn’t be there yet, not quite yet but looking just the same. He heard another sound in the woods, as of something approaching and he smiled and pulled a small jack-knife from his back pocket. That was for him, that sound. He pulled the blade open with his eyes still on the fire as the last of the flames seemed to fall down into the embers that glowed with secret knowledge and as soon as that happened he sunk the silver into his palm and held his hand over the pit which sizzled as soon as his blood hit it.

“Let them arrive.” He uttered to the darkness and took a step back from the pit.

His eyes were keen on the embers and beneath them, watching for movement and in the woods there were more sounds and he smiled. His hand stung as the blood poured from it but once he had sewed it up it would scab, it would heal, and eventually it would scar, as the rest of him had scarred over the years. The holiday took a lot out of him every years but it was worth it, it had always been worth it. There came a sudden sound like a loud sigh and the fire suddenly seemed to go out a moment and the night pushed in closer as the clearing was sent into complete darkness. The man pulled a mask free from the waist of his pants and slid it over his head and adjusted it He closed his eyes and in that blackness he felt the heat of the fire rise, saw the light of it through his shut lids, and when he opened his eyes he saw the world no longer as a man but as something more, something less – seeing everything as something old and dangerous. Around him Halloween was winding down but for him, things were just beginning.

The woods were full of the music of arrival and the fire raged at the night and within the flames there was movement. He got to his knees, his body groaning, his back moaning, but he smiled past the pain, past the weakness from the blood that he’d lost, and past the chill that was creeping into the night. The movement became substance, became form, and from the now roaring fire crawled the small form of a child, an infant dressed in a blue satin jumper with red buttons on it and on its face was painted an expression of indifference. The baby pulled itself free of the flames, unburned and unharmed, and began crawling towards the man. As it left the ring of the bonfire another child began to emerge from the flames, this one a girl with her face painted red and gold and with a look of anger, and as she was free a final child crawled out of the fire and this was another girl done in black and white makeup and with a look of surprise painted on her face. The three children crawled to the man and he laughed a great, deep laugh and as he did, so too did they, their laughter coming in short bursts that came first as coughs, then cries, then full throated howls of laughter that sprang through the woods.

The noise in the woods rose to a great clatter of snapping twigs and breaking branches just as the babies made it to their father and from the darkness shapes appeared. Out of the woods arrived more children, all of them dressed as clowns, none older than a teenager, and all of them silent as they emerged. Each of them was dressed in an elaborate or shabby fashion depending on how their faces were made up and each was done to look different than the others so that together they formed a circus macabre. The children left the ring of trees and walked into the clearing and towards the man, who stood up and smiled beneath his rubber mask, its bulbous red nose and thick red lips shining in the light of the fire that was beginning to die again.

The children gathered in a loose circle around the man in the rubber clown mask and then were still. The man spread his arms out and told them one and told them all – “From ash did you come – from ash will you return. From paint are we born, and through paint do we live. And from pain…shall we make joy.”

He said the words as he had said them for twenty Halloweens and the children, all of them quiet as he spoke, looked at him in silent reverence. Having said this, the man knelt down and touched each of the babies on the forehead once, a light, tender caress, and as he touched them there was a faint blue light that went from his hand to their head and with that each of them slowly pushed themselves so that they knelt, then stood, wobbling but standing, and with every passing moment they grew another inch.

The man grinned down at his babies, then up at the rest of his children and spread his arms wider, nodded, and the children came closer.

“Your brothers and sisters died so you might live. Their pain gave life to your joy. It is their blood that fills your veins. They were born from their brothers and sisters, just as I was born of my father and grandfather. We are born out of the acorns of a great family tree, and old family tree whose roots reach to the center of time and it is to our ancestors that we owe honor for all we have. I have birthed you from the sorrow of ash so you could spread the happiness of your gifts to the world. Now, my children – welcome your new siblings and go give the world its laughter, give the world its joy, and I will see all of you in a year.”

The children gathered together and made a line and walked past the man one by one, touching his hand as they did and then touching the heads of their new siblings before they headed towards the darkness and the world, each in their own direction. The infants were the last ones left and they were toddlers now and the three of them reached up to touch their father’s hand and he looked down at them and laughed.

“No, no, no, not you three. Not yet. In a year perhaps, maybe two you can join the rest of your family but I have much to teach you first and you have much to learn. For now watch your brothers and sisters leave us and know that you will see them in a year. “

The toddlers wrapped themselves around the man’s legs and watched as the last of their brothers and sisters, the last of the clowns, were lost to the darkness.

The man suddenly let out a small cry which startled the babies, remembering he had forgotten something, and he called out to the woods -

“Remember my children, remember I love you. Remember your daddy loves you.”

There was the echo of laughter in the woods after that, somewhere off in the dark, but it too faded and the man was left alone with his three babies. The fire died out completely and the man clapped his hands together and the balloons all began to glow dimly with green light that illuminated his camp and the man made his way towards his ragged big top and the children followed, wobbling after him. The man stopped at the entrance to the tent and jumped into the air and spun around so that he faced the babies, who looked at him with their mouths wide. He honked the nose of his mask three times at them and the children started to laugh and he joined them then turned and headed into the tent. They would remain there a week, and by the time they left the woods the babies would be a full two feet taller and it never ceased to amaze him how quickly they grew up. But for now it was time for rest and sleep, for all of them. It had been a long year and a new one had just begun and there was much to do. So much to do. But through it all they’d laugh. Oh how they’d laugh.

https://www.createspace.com/3386414

The Skelebration of Scares

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On Friday, October 9th, Pages Bookstore will be host to the SKELEBRATION OF SCARES, an event that will bring a little Halloween to the monthly Art Walk in downtown Flint. The SKELEBRATION OF SCARES will feature local and regional writers and storytellers telling tales that will sends shivers down the spine and will bring in the Halloween season a little early. This event will have book signings from local author CHRIS RINGLER and others and will feature readings and book signings from Flint writer’s group Write Now and others. The Skelebration of Scares will be Friday, October 9th during the monthly Art Walk in Downtown Flint. The event will be held at Pages Bookstore, which is at the corner of Buckham and Second Street, just down the street from the Capitol Theater in downtown. So, come out on Friday, October 9th and support the arts, AND the scares of Flint at Pages Bookstore.

WHEN Friday October 9th, 6pm – 9pm

WHERE Pages Bookstore

WHAT The Skelebration of Scares

HOW MUCH FREE (books from the authors on hand will be available for purchase) Skelebration of Scares